Works, Volume 23D. Estes, 1989 |
From inside the book
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Page 15
... feeling of the picturesque , which , so far as it consists in a delight in ruin , is perhaps the most sus- picious and questionable of all the characters distinc- tively belonging to our temper , and art . It is especially so , because ...
... feeling of the picturesque , which , so far as it consists in a delight in ruin , is perhaps the most sus- picious and questionable of all the characters distinc- tively belonging to our temper , and art . It is especially so , because ...
Page 407
... feeling at its uttermost which I remember , is the missal in the British Museum , Harl . MSS . 1892. The drawings of the principal subjects in it appear to have been made first in black , by Martin Schöngauer ( at all events by some ...
... feeling at its uttermost which I remember , is the missal in the British Museum , Harl . MSS . 1892. The drawings of the principal subjects in it appear to have been made first in black , by Martin Schöngauer ( at all events by some ...
Page 427
... feelings , in this re- spect , as representative of the modern landscape in- stinct ; yet I know it is not ... feeling , or individual preferences , but de- In tracing the whole of the deep enjoyment to mountain associa- tion ...
... feelings , in this re- spect , as representative of the modern landscape in- stinct ; yet I know it is not ... feeling , or individual preferences , but de- In tracing the whole of the deep enjoyment to mountain associa- tion ...
Common terms and phrases
Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole