Works, Volume 23D. Estes, 1989 |
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Page 59
... fact we have learned by our experiment with the white paper , that , taken all in all , the calm sky , with such light and shade as are in it , is brighter than the earth ; brighter than the whitest thing on earth which has not , at the ...
... fact we have learned by our experiment with the white paper , that , taken all in all , the calm sky , with such light and shade as are in it , is brighter than the earth ; brighter than the whitest thing on earth which has not , at the ...
Page 83
... fact that by far the largest spaces of the habitable world are full of them . That is Nature's will in the matter ; and whatever we may theoretically determine to be expedient or beautiful , she has long ago deter- mined what shall be ...
... fact that by far the largest spaces of the habitable world are full of them . That is Nature's will in the matter ; and whatever we may theoretically determine to be expedient or beautiful , she has long ago deter- mined what shall be ...
Page 96
... fact , so , for de- fence of this special indistinctness , my first appeal is in this chapter to special fact . An English painter justifi- ably loves fog , because he is born in a foggy country ; as an Italian painter justifiably loves ...
... fact , so , for de- fence of this special indistinctness , my first appeal is in this chapter to special fact . An English painter justifi- ably loves fog , because he is born in a foggy country ; as an Italian painter justifiably loves ...
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Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole