Works, Volume 23D. Estes, 1989 |
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Page 112
John Ruskin. scapists , we shall now , as closely as possible , examine the range of what he himself has done and ... examining how far Turner seems to have understood these reasons of beauty , and how far his work interprets , or can ...
John Ruskin. scapists , we shall now , as closely as possible , examine the range of what he himself has done and ... examining how far Turner seems to have understood these reasons of beauty , and how far his work interprets , or can ...
Page 136
... examine to any depth , he will find arranged in beds exactly resembling those of modern sand - banks or sea - beaches , and appearing to have been formed under such natural laws as are in operation daily around us . At the outskirts of ...
... examine to any depth , he will find arranged in beds exactly resembling those of modern sand - banks or sea - beaches , and appearing to have been formed under such natural laws as are in operation daily around us . At the outskirts of ...
Page 221
... examine the points of pictorial interest in greater detail ; and in order to do so more conveniently , I shall adopt the order , in descrip- tion , which Nature seems to have adopted in formation ; beginning with the mysterious hardness ...
... examine the points of pictorial interest in greater detail ; and in order to do so more conveniently , I shall adopt the order , in descrip- tion , which Nature seems to have adopted in formation ; beginning with the mysterious hardness ...
Common terms and phrases
Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole