Works, Volume 23D. Estes, 1989 |
From inside the book
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Page 270
... direction of the gathering stream what the touch of a finger on the barrel of a rifle would be to the direction of the bullet . Each succeeding year in- creases the importance of every determined form , and arranges in masses yet more ...
... direction of the gathering stream what the touch of a finger on the barrel of a rifle would be to the direction of the bullet . Each succeeding year in- creases the importance of every determined form , and arranges in masses yet more ...
Page 365
... direction constante , et cette direction est bien la même que celle des couches . Il paroît même qu'en divers en- droits , où ces veines ont la forme d'un sigma ou d'une M couchée , ce sont les grandes jambes du sigma , qui ont la ...
... direction constante , et cette direction est bien la même que celle des couches . Il paroît même qu'en divers en- droits , où ces veines ont la forme d'un sigma ou d'une M couchée , ce sont les grandes jambes du sigma , qui ont la ...
Page 489
... direction , and that so posi- tively , that if he had only seen the aiguille at that mo- ment , he would assuredly have supposed its internal structure to be altogether regulated by the lines of bed or cleavage then in sight . Let him ...
... direction , and that so posi- tively , that if he had only seen the aiguille at that mo- ment , he would assuredly have supposed its internal structure to be altogether regulated by the lines of bed or cleavage then in sight . Let him ...
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Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole