Works, Volume 23D. Estes, 1989 |
From inside the book
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Page 61
... dark force , as related to the sky , as that shown in Fig . 4 , Plate 25 , while the sky itself will still , if there are white clouds in in , tell as a clear dark , throwing out those white clouds in vigorous relief of light ; yet ...
... dark force , as related to the sky , as that shown in Fig . 4 , Plate 25 , while the sky itself will still , if there are white clouds in in , tell as a clear dark , throwing out those white clouds in vigorous relief of light ; yet ...
Page 68
... dark color ; that is , of one which ab- sorbs all the light that falls on it ; and the nature of such a color is best understood by considering it as a piece of portable night . Now , of course , the higher you raise the daylight about ...
... dark color ; that is , of one which ab- sorbs all the light that falls on it ; and the nature of such a color is best understood by considering it as a piece of portable night . Now , of course , the higher you raise the daylight about ...
Page 428
... dark ground in general . But among moun- tains , in addition to all this , large unbroken spaces of pure violet and purple are introduced in their distances ; and even near , by films of cloud passing over the dark- ness of ravines or ...
... dark ground in general . But among moun- tains , in addition to all this , large unbroken spaces of pure violet and purple are introduced in their distances ; and even near , by films of cloud passing over the dark- ness of ravines or ...
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Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole