Works, Volume 23D. Estes, 1989 |
From inside the book
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Page 338
... curves by the jags of the leaf , and then again into minor waves . Thus , in any complicated group of leaves whatever , the infinite curves are them- selves almost countless . In a single extremity of a mag- nolia spray , the uppermost ...
... curves by the jags of the leaf , and then again into minor waves . Thus , in any complicated group of leaves whatever , the infinite curves are them- selves almost countless . In a single extremity of a mag- nolia spray , the uppermost ...
Page 339
... curves — I mean curves so arranged as to oppose and set each other off , and yet united by a common law ; for as the beauty of every curve depends on the unity of its several com- ponent lines , so the beauty of each group of curves de ...
... curves — I mean curves so arranged as to oppose and set each other off , and yet united by a common law ; for as the beauty of every curve depends on the unity of its several com- ponent lines , so the beauty of each group of curves de ...
Page 353
... curves either modified by the conceal- ment or destruction of the lower lips of débris , or by their junction with straight lines of slope above , throw- * It might be thought at first that the line to which such curves would ...
... curves either modified by the conceal- ment or destruction of the lower lips of débris , or by their junction with straight lines of slope above , throw- * It might be thought at first that the line to which such curves would ...
Common terms and phrases
Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole