Works, Volume 23D. Estes, 1989 |
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Page 86
... clear , or of a plantain with all its seeds clear . The round dot or long stroke would represent nothing , and the clear delineation too much . They were not mere dots of color which I saw on the hill , but something full of essence of ...
... clear , or of a plantain with all its seeds clear . The round dot or long stroke would represent nothing , and the clear delineation too much . They were not mere dots of color which I saw on the hill , but something full of essence of ...
Page 89
... clear and sharp , -not at all like a Turner ? " Photographs never look entirely clear and sharp ; but because clearness is supposed a merit in them , they are usually taken from very clearly marked and un - Turnerian subjects ; and such ...
... clear and sharp , -not at all like a Turner ? " Photographs never look entirely clear and sharp ; but because clearness is supposed a merit in them , they are usually taken from very clearly marked and un - Turnerian subjects ; and such ...
Page 90
... clear early men ? " So far as they are quite clear , they are imperfect , and knowingly imperfect , if considered as painters of real appearances ; but by means of this very imperfection or conventionalism , they often give certain ...
... clear early men ? " So far as they are quite clear , they are imperfect , and knowingly imperfect , if considered as painters of real appearances ; but by means of this very imperfection or conventionalism , they often give certain ...
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Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole