Works, Volume 23D. Estes, 1989 |
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Page 88
... called , a peculiar melting and mystery about the pencil- ling , sometimes called softness , sometimes freedom , sometimes breadth ; but in reality a most subtle confu- sion of colors and forms , obtained either by the appa- rently ...
... called , a peculiar melting and mystery about the pencil- ling , sometimes called softness , sometimes freedom , sometimes breadth ; but in reality a most subtle confu- sion of colors and forms , obtained either by the appa- rently ...
Page 135
... called " Primary ; " the sec- ond class consisting of rocks formed of the broken frag- ments or altered substance of the primary ones , therefore called " Secondary ; " and , thirdly , rocks or earthy de- posits formed by the ruins and ...
... called " Primary ; " the sec- ond class consisting of rocks formed of the broken frag- ments or altered substance of the primary ones , therefore called " Secondary ; " and , thirdly , rocks or earthy de- posits formed by the ruins and ...
Page 186
... called stratified ; and those made of more or less united substance , called unstratified . The former are nearly always composed of coherent rocks , the latter of crystallines ; and the former almost always occupy the outside , the ...
... called stratified ; and those made of more or less united substance , called unstratified . The former are nearly always composed of coherent rocks , the latter of crystallines ; and the former almost always occupy the outside , the ...
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Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole