Works, Volume 23D. Estes, 1989 |
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Page 35
... become one yourself : for you can but become one at best , but you may bring others to light in numbers . § 5. We have , therefore , to inquire what kind of changes these are , which must be wrought by the im- aginative painter on ...
... become one yourself : for you can but become one at best , but you may bring others to light in numbers . § 5. We have , therefore , to inquire what kind of changes these are , which must be wrought by the im- aginative painter on ...
Page 83
... become a faithful landscape painter without continually getting involved in effects of this kind . We may , indeed , avoid them systematically , but shall become narrow mannerists if we do . § 4. But not only is there a partial and ...
... become a faithful landscape painter without continually getting involved in effects of this kind . We may , indeed , avoid them systematically , but shall become narrow mannerists if we do . § 4. But not only is there a partial and ...
Page 100
... become matters of primal importance to it , may be ascertained by observing that they are the things it will last part with , as the object retires into distance ; and that , though this distance may become so great as to render the ...
... become matters of primal importance to it , may be ascertained by observing that they are the things it will last part with , as the object retires into distance ; and that , though this distance may become so great as to render the ...
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Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole