Works, Volume 23D. Estes, 1989 |
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Page 209
... bank on each side being about 3,000 feet high , or the moat about three - fifths of a mile in vertical depth . Then , on the top of the bank , on each side , and a little way back from the edge of the moat , rise the ranges of the great ...
... bank on each side being about 3,000 feet high , or the moat about three - fifths of a mile in vertical depth . Then , on the top of the bank , on each side , and a little way back from the edge of the moat , rise the ranges of the great ...
Page 222
... bank or cliff below . But it hardly ever is of the same substance . Almost always it is of com- pact crystallines , and the bank of slaty crystallines ; or if it be of slaty crystallines the bank is of slaty coher- ents . The bank is ...
... bank or cliff below . But it hardly ever is of the same substance . Almost always it is of com- pact crystallines , and the bank of slaty crystallines ; or if it be of slaty crystallines the bank is of slaty coher- ents . The bank is ...
Page 357
... bank above Villeneuve , it is managed in a different way , but is equal in degree ; the lower portion of the hill is of soft rock in thin lamina ; the upper mass is a solid and firm bed , yet not so hard as to stand all weathers . The ...
... bank above Villeneuve , it is managed in a different way , but is equal in degree ; the lower portion of the hill is of soft rock in thin lamina ; the upper mass is a solid and firm bed , yet not so hard as to stand all weathers . The ...
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Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole