Works, Volume 23D. Estes, 1989 |
From inside the book
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Page 29
... artist with his subject . And in like manner his own greatness depends ( other things being equal ) on the ex- tent of this sympathy . If he rests content with narrow enjoyment of outward forms , and light sensations of luxurious ...
... artist with his subject . And in like manner his own greatness depends ( other things being equal ) on the ex- tent of this sympathy . If he rests content with narrow enjoyment of outward forms , and light sensations of luxurious ...
Page 93
... artist will necessarily vary that method somewhat according to circumstances and expectations : he may sometimes fin- ish in a way fitted for close observation , to please his patron , or catch the public eye ; and sometimes be tempted ...
... artist will necessarily vary that method somewhat according to circumstances and expectations : he may sometimes fin- ish in a way fitted for close observation , to please his patron , or catch the public eye ; and sometimes be tempted ...
Page 282
... artists who try to imitate the smallest portion of his work will find that no happy chances will , for them , gather ... artist ( one of our leading landscape painters ) was complaining to Turner that , after going to Domo d'Ossola , to ...
... artists who try to imitate the smallest portion of his work will find that no happy chances will , for them , gather ... artist ( one of our leading landscape painters ) was complaining to Turner that , after going to Domo d'Ossola , to ...
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Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole