Works, Volume 23D. Estes, 1989 |
From inside the book
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Page 264
... Plate 33 , is seen more in front , expanded into the jagged line , a to c , Plate 34 , and the beds , with their fractures , are now seen clearly throughout the mass , namely : 1st . ( See references on plate . ) The true gneiss beds ...
... Plate 33 , is seen more in front , expanded into the jagged line , a to c , Plate 34 , and the beds , with their fractures , are now seen clearly throughout the mass , namely : 1st . ( See references on plate . ) The true gneiss beds ...
Page 278
... Plate 20 , which is the out- line of the real scene , he will have a perfect example , in comparing the two , of the operation of invention of the highest order on a given subject . I should rec- ommend him to put a piece of tracing ...
... Plate 20 , which is the out- line of the real scene , he will have a perfect example , in comparing the two , of the operation of invention of the highest order on a given subject . I should rec- ommend him to put a piece of tracing ...
Page 338
... Plate 8 , she uses three such - one for the stalk , and one for each of the sides , -to regulate their general flow ; dividing afterwards each of their broad lateral lines into some twenty less curves by the jags of the leaf , and then ...
... Plate 8 , she uses three such - one for the stalk , and one for each of the sides , -to regulate their general flow ; dividing afterwards each of their broad lateral lines into some twenty less curves by the jags of the leaf , and then ...
Common terms and phrases
Albert Durer Alps angle appear artist bank beauty beds blue broken Chamouni chapter character Charmoz chlorite cleavage cliff clouds color composed contour crest curvature curves dark débris drawing earth edge examine expression fact FAIDO fall farther feeling feet flakes Fribourg give glacier gneiss Goldau granite gray heaven hills human imagination kind landscape less light limestone lines look lower Martigny Martin Schöngauer mass Matterhorn Mer de Glace mica mind Mont Blanc moun mountain mystery nature nearly ness never noble observe outline paint painters Paul Veronese peaks perfect picturesque piece pines Plate Pre-Raphaelitism precipice purple ravines reader Rembrandt ridge rock round scene scenery seen shade shadows side slaty crystallines slope soft steep stones straight stream structure substance summit suppose tain things tion Titian torrent trees true truth Turner Turnerian Valais valley waves whole