The Reception of Blake in the OrientSteve Clark, Masashi Suzuki This volume brings together research from international scholars focusing attention on the longevity and complexity of Blake`s reception in Japan and elsewhere in the East. It is designed as not only a celebration of his art and poetry in new and unexpected contexts but also to contest the intensely nationalistic and parochial Englishness of his work, and in broader terms, the inevitable passivity with which Romanticism (and other Western intellectual movements) have been received in the Orient. |
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Results 1-5 of 19
Page vi
... Expression : The Shirakaba Group's Reception of Blake's Visual Art in Japan 216 Yumiko Goto PART III : Blake in the Orient : Later Responses 18 Blake's Night : Tanizaki's Shadows 237 Jeremy Tambling 19 Ōe Kenzaburo's Reading of Blake ...
... Expression : The Shirakaba Group's Reception of Blake's Visual Art in Japan 216 Yumiko Goto PART III : Blake in the Orient : Later Responses 18 Blake's Night : Tanizaki's Shadows 237 Jeremy Tambling 19 Ōe Kenzaburo's Reading of Blake ...
Page 9
... Expression : The Shirakaba Group's Reception of Blake's Visual Art in Japan ' . Their importance lies firstly in their promotion of Blake in their journal and through their 1915 and 1919 exhibitions , and secondly through presenting his ...
... Expression : The Shirakaba Group's Reception of Blake's Visual Art in Japan ' . Their importance lies firstly in their promotion of Blake in their journal and through their 1915 and 1919 exhibitions , and secondly through presenting his ...
Page 12
... expressions which they found very similar to those of the mysticism of Buddhism , but that the older he got the less confident he became in his Blake studies ; he wondered if it was really possible for the Japanese to reach the core of ...
... expressions which they found very similar to those of the mysticism of Buddhism , but that the older he got the less confident he became in his Blake studies ; he wondered if it was really possible for the Japanese to reach the core of ...
Page 80
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Contents
1 | |
15 | |
Blake in the Orient The EarlyTwentiethCentury Japanese Reception | 159 |
Blake in the Orient Later Responses | 235 |
Bibliography | 303 |
Index | 337 |
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Common terms and phrases
Africa Albion argued Arthur Boyd artists Bentley Blake studies Blakean body Book of Thel Book of Urizen Bramins British Butlin Catalogue Chinese Christian colony colour printing contemporary context copper plate critical culture darkness divine eighteenth century English engraving essay Essick eternal European exhibition Felpham Figure Four Zoas Geeta Hastings Hayley Heaven and Hell human illustrations imagination India Japan Japanese Jerusalem John Jugaku Kaneko Kyoto Lavater literature Little Black Boy London Makdisi Marriage of Heaven Matsuhashi 1999 Milton Mingei Museum mythology nature Nebuchadnezzar night Ōe's Oothoon Orient original painter painting poem poet poetry political psychogeography published question Rebekah Bliss reception religion reproductions self-annihilation sense Shirakaba Shirakaba group Sierra Leone Songs of Experience Swedenborg Swedenborgian Tanizaki Thel Thel's Thomas Alphonso Tokyo tradition transfer-printing translation Typhon Ukiyo-e Urizen vision Wadström Wedgwood Western Wilkins William Blake William Hayley writing Yanagi