The Reception of Blake in the OrientSteve Clark, Masashi Suzuki This volume brings together research from international scholars focusing attention on the longevity and complexity of Blake`s reception in Japan and elsewhere in the East. It is designed as not only a celebration of his art and poetry in new and unexpected contexts but also to contest the intensely nationalistic and parochial Englishness of his work, and in broader terms, the inevitable passivity with which Romanticism (and other Western intellectual movements) have been received in the Orient. |
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Page 25
... common council ” , or parliament . . . in a due and equal proportion to their numbers'.50 The extent to which these mechanisms have been worked out is as striking as their failure to envisage the impact on native Africans . 49 These ...
... common council ” , or parliament . . . in a due and equal proportion to their numbers'.50 The extent to which these mechanisms have been worked out is as striking as their failure to envisage the impact on native Africans . 49 These ...
Page 46
... common noun , not as a surname ) . It appears forty - four times in the Blake Concordance , including four times in the Visions of the Daughters of Albion , once in America , four times in Europe , three in the Book of Ahania , and nine ...
... common noun , not as a surname ) . It appears forty - four times in the Blake Concordance , including four times in the Visions of the Daughters of Albion , once in America , four times in Europe , three in the Book of Ahania , and nine ...
Page 72
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Contents
1 | |
15 | |
Blake in the Orient The EarlyTwentiethCentury Japanese Reception | 159 |
Blake in the Orient Later Responses | 235 |
Bibliography | 303 |
Index | 337 |
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Common terms and phrases
Africa Albion argued Arthur Boyd artists Bentley Blake studies Blakean body Book of Thel Book of Urizen Bramins British Butlin Catalogue Chinese Christian colony colour printing contemporary context copper plate critical culture darkness divine eighteenth century English engraving essay Essick eternal European exhibition Felpham Figure Four Zoas Geeta Hastings Hayley Heaven and Hell human illustrations imagination India Japan Japanese Jerusalem John Jugaku Kaneko Kyoto Lavater literature Little Black Boy London Makdisi Marriage of Heaven Matsuhashi 1999 Milton Mingei Museum mythology nature Nebuchadnezzar night Ōe's Oothoon Orient original painter painting poem poet poetry political psychogeography published question Rebekah Bliss reception religion reproductions self-annihilation sense Shirakaba Shirakaba group Sierra Leone Songs of Experience Swedenborg Swedenborgian Tanizaki Thel Thel's Thomas Alphonso Tokyo tradition transfer-printing translation Typhon Ukiyo-e Urizen vision Wadström Wedgwood Western Wilkins William Blake William Hayley writing Yanagi