The Reception of Blake in the OrientSteve Clark, Masashi Suzuki This volume brings together research from international scholars focusing attention on the longevity and complexity of Blake`s reception in Japan and elsewhere in the East. It is designed as not only a celebration of his art and poetry in new and unexpected contexts but also to contest the intensely nationalistic and parochial Englishness of his work, and in broader terms, the inevitable passivity with which Romanticism (and other Western intellectual movements) have been received in the Orient. |
From inside the book
Results 1-5 of 34
Page v
... and Zoomorphic Imagery Ashton Nichols Blake, Hayley and India: On Designs to a Series 0fBallads (1802) Hikari Sato viii 17 29 38 63 77 87 104 121 134 11 'The Authority of the Ancients': Blake and Wilkins' Translation Contents.
... and Zoomorphic Imagery Ashton Nichols Blake, Hayley and India: On Designs to a Series 0fBallads (1802) Hikari Sato viii 17 29 38 63 77 87 104 121 134 11 'The Authority of the Ancients': Blake and Wilkins' Translation Contents.
Page ix
... Hayley, Designs to a Series of Ballads, 1802, 'Man with dog falling into water' ('The Dog'), op. p. 26. William Hayley, Designs to a Series ofBallads, 1802, 'Hunters' ('The Lion'), op. p. 26. The Statue of Maitreya Bodhisattva, Koryuji ...
... Hayley, Designs to a Series of Ballads, 1802, 'Man with dog falling into water' ('The Dog'), op. p. 26. William Hayley, Designs to a Series ofBallads, 1802, 'Hunters' ('The Lion'), op. p. 26. The Statue of Maitreya Bodhisattva, Koryuji ...
Page 4
... Hayley and India: On Designs to a Series ofBallads (1802)', which argues against the customary critical neglect, even vilification, of Blake's most munificent patron. It is argued that Hayley's elegiac ballads employ Indian iconography ...
... Hayley and India: On Designs to a Series ofBallads (1802)', which argues against the customary critical neglect, even vilification, of Blake's most munificent patron. It is argued that Hayley's elegiac ballads employ Indian iconography ...
Page 72
You have reached your viewing limit for this book.
You have reached your viewing limit for this book.
Page 73
You have reached your viewing limit for this book.
You have reached your viewing limit for this book.
Contents
1 | |
15 | |
Blake in the Orient The EarlyTwentiethCentury Japanese Reception | 159 |
Blake in the Orient Later Responses | 235 |
Bibliography | 303 |
Index | 337 |
Other editions - View all
Common terms and phrases
Africa Albion argued Arthur Boyd artists Bentley Blake studies Blakean body Book of Thel Book of Urizen Bramins British Butlin Catalogue Chinese Christian colony colour printing contemporary context copper plate critical culture darkness divine eighteenth century English engraving essay Essick eternal European exhibition Felpham Figure Four Zoas Geeta Hastings Hayley Heaven and Hell human illustrations imagination India Japan Japanese Jerusalem John Jugaku Kaneko Kyoto Lavater literature Little Black Boy London Makdisi Marriage of Heaven Matsuhashi 1999 Milton Mingei Museum mythology nature Nebuchadnezzar night Ōe's Oothoon Orient original painter painting poem poet poetry political psychogeography published question Rebekah Bliss reception religion reproductions self-annihilation sense Shirakaba Shirakaba group Sierra Leone Songs of Experience Swedenborg Swedenborgian Tanizaki Thel Thel's Thomas Alphonso Tokyo tradition transfer-printing translation Typhon Ukiyo-e Urizen vision Wadström Wedgwood Western Wilkins William Blake William Hayley writing Yanagi