The Mystical Design of Paradise LostIdentifies and discusses the thematic and structural aspects of the circular pattern underlying Milton's epic poem to elucidate its mystical meanings. |
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Page 19
... divine presence in all things . On a spiritual level , that is , he sought to imbue Paradise Lost with a profound sense of the ultimate wisdom and justice of God's ways . How Milton set about implementing this aspect of his poem is my ...
... divine presence in all things . On a spiritual level , that is , he sought to imbue Paradise Lost with a profound sense of the ultimate wisdom and justice of God's ways . How Milton set about implementing this aspect of his poem is my ...
Page 23
... Divine Providence and the Structure of Paradise Lost , " Essays in Criticism 14 ( 1964 ) : 148-55 ; John T. Shawcross , " The Balanced Structure of Paradise Lost , " Studies in Philology 62 ( 1965 ) : 696-718 ; and Sheila Blanchard ...
... Divine Providence and the Structure of Paradise Lost , " Essays in Criticism 14 ( 1964 ) : 148-55 ; John T. Shawcross , " The Balanced Structure of Paradise Lost , " Studies in Philology 62 ( 1965 ) : 696-718 ; and Sheila Blanchard ...
Page 27
... divine scheme . On the literal level Paradise Lost reenacts , of course , the events of the Creation and Fall , at once dramatizing them and making explicit their relation to God's overall plan of redemption for man through Christ made ...
... divine scheme . On the literal level Paradise Lost reenacts , of course , the events of the Creation and Fall , at once dramatizing them and making explicit their relation to God's overall plan of redemption for man through Christ made ...
Page 28
... Divine creative process . It is both substance and structure of his epic.6 The creative essence of God is something Satan never re- ally understands ( cf. VI . 853-69 ) . As a result of the Fall , man pays dearly for the knowledge and ...
... Divine creative process . It is both substance and structure of his epic.6 The creative essence of God is something Satan never re- ally understands ( cf. VI . 853-69 ) . As a result of the Fall , man pays dearly for the knowledge and ...
Page 35
... divine light . Nowhere are the identifi- cation and contrast made more poignantly , to my mind , than in the invocation in Book III . Cross - identifications between Milton and Satan , both newly " escap't the Stygian pool ...
... divine light . Nowhere are the identifi- cation and contrast made more poignantly , to my mind , than in the invocation in Book III . Cross - identifications between Milton and Satan , both newly " escap't the Stygian pool ...
Contents
25 | |
His Circle Drawn Just | 68 |
The Interpenetration of Time and Space | 148 |
Conclusion | 182 |
Selected Bibliography | 185 |
Index | 191 |
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Common terms and phrases
Abdiel Adam and Eve Adam's Aeneid allegorical anagogical antimetabole beauty Beelzebub beginning Book VIII Book XII burning lake celestial central Christ Christopher Ricks circular Commedia concept consonant created creation creative Dante darkness dawn death defines demons discussion divine Earth emphasis eternal Eve's evil example Fall fallen angels final Galileo Galileo Galilei garden God's Heaven heavenly Hell heroic historical light lines loss Lycidas man's McColley meaning Michael Milton describes Milton's epic mystical mythic narrative nature Neoplatonic night numerological overall Paradise Lost parallels passage perfect poem poem's poet poetic poetry provides Raphael relation relationship Renaissance return to Eden rhetorical Satan Satan returns says scheme section of Book sense shape significance spatial speech Structure of Paradise Studies style suggest symbolic syntax temporal thee things thir thou tion tradition universe verbal verse paragraph verse sentence victory vision Whaler
Popular passages
Page 50 - Hail horrors, hail Infernal world, and thou profoundest Hell Receive thy new possessor; one who brings A mind not to be changed by place or time.
Page 42 - OF Man's First Disobedience, and the Fruit Of that Forbidden Tree, whose mortal taste Brought Death into the World, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful Seat, Sing Heav'nly Muse, that on the secret top Of Oreb, or of Sinai, didst inspire That Shepherd, who first taught the chosen Seed, In the Beginning how the Heav'ns and Earth Rose out of Chaos...
Page 36 - And wisdom at one entrance quite shut out. So much the rather thou, celestial Light, Shine inward, and the mind through all her powers Irradiate ; there plant eyes, all mist from thence Purge and disperse, that I may see and tell Of things invisible to mortal sight.
Page 134 - From their Creator, and transgress his will For one restraint, lords of the world besides * Who first seduced them to that foul revolt...
Page 130 - Rocks, caves, lakes, fens, bogs, dens, and shades of death, A universe of death ; which God by curse Created evil, for evil only good ; Where all life dies, death lives, and nature breeds, Perverse...
Page 61 - Heaven is for thee too high To know what passes there: be lowly wise: Think only what concerns thee, and thy being: Dream not of other worlds, what creatures there live, in what state, condition or degree; Contented that thus far hath been reveal'd Not of earth only, but of highest heaven.
Page 37 - O goodness infinite, goodness immense ! That all this good of evil shall produce, And evil turn to good ; more wonderful Than that which by creation first brought forth Light out of darkness ! Full of doubt I stand, Whether I should repent me now of sin By me done, and occasion'd, or rejoice Much more, that much more good thereof shall spring ; To God more glory, more good-will to men From God, and over wrath grace shall abound.
Page 37 - Round through the vast profundity obscure ; And said, Thus far extend, thus far thy bounds, This be thy just circumference, O World...