The Mystical Design of Paradise LostIdentifies and discusses the thematic and structural aspects of the circular pattern underlying Milton's epic poem to elucidate its mystical meanings. |
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Page 17
... concerned with such formal , aesthetic problems and that in the end we admire the brilliance of poetic illumina- tion . As conscious interest in formal design seems characteris- tic of Milton's aesthetic point of view , so Paradise Lost ...
... concerned with such formal , aesthetic problems and that in the end we admire the brilliance of poetic illumina- tion . As conscious interest in formal design seems characteris- tic of Milton's aesthetic point of view , so Paradise Lost ...
Page 18
... concerns in the Renaissance and their continued vitality in Milton's age . 3. Anatomy of Criticism ( Princeton , 1957 ) , pp . 315-17 . Speaking specifically of Paradise Lost in Five Essays on Milton's Epics ( London , 1966 ) , Frye ...
... concerns in the Renaissance and their continued vitality in Milton's age . 3. Anatomy of Criticism ( Princeton , 1957 ) , pp . 315-17 . Speaking specifically of Paradise Lost in Five Essays on Milton's Epics ( London , 1966 ) , Frye ...
Page 28
... concerns the justification of the creative act . Quite simply , he saw and proclaimed that " God's ways " are creative and that man is most nearly like Him in emulating His creativity . As W. B. C. Watkins notes : Of Milton's great ...
... concerns the justification of the creative act . Quite simply , he saw and proclaimed that " God's ways " are creative and that man is most nearly like Him in emulating His creativity . As W. B. C. Watkins notes : Of Milton's great ...
Page 34
... time - scheme of Paradise Lost , consid- ered in chapter 3 . 13. Jean Seznec , Survival of the Pagan Gods , ( New York , 1953 ) , p . 100 . As his narrative concerns the fall of man resulting from 34 THE MYSTICAL DESIGN OF PARADISE LOST.
... time - scheme of Paradise Lost , consid- ered in chapter 3 . 13. Jean Seznec , Survival of the Pagan Gods , ( New York , 1953 ) , p . 100 . As his narrative concerns the fall of man resulting from 34 THE MYSTICAL DESIGN OF PARADISE LOST.
Page 35
Galbraith Miller Crump. As his narrative concerns the fall of man resulting from his " premature snatching at knowledge , " 14 so his own endeav- ors to describe the Fall and its implications might yet prove a rash plucking of wisdom too ...
Galbraith Miller Crump. As his narrative concerns the fall of man resulting from his " premature snatching at knowledge , " 14 so his own endeav- ors to describe the Fall and its implications might yet prove a rash plucking of wisdom too ...
Contents
25 | |
His Circle Drawn Just | 68 |
The Interpenetration of Time and Space | 148 |
Conclusion | 182 |
Selected Bibliography | 185 |
Index | 191 |
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Common terms and phrases
Abdiel Adam and Eve Adam's Aeneid allegorical anagogical antimetabole beauty Beelzebub beginning Book VIII Book XII burning lake celestial central Christ Christopher Ricks circular Commedia concept consonant created creation creative Dante darkness dawn death defines demons discussion divine Earth emphasis eternal Eve's evil example Fall fallen angels final Galileo Galileo Galilei garden God's Heaven heavenly Hell heroic historical light lines loss Lycidas man's McColley meaning Michael Milton describes Milton's epic mystical mythic narrative nature Neoplatonic night numerological overall Paradise Lost parallels passage perfect poem poem's poet poetic poetry provides Raphael relation relationship Renaissance return to Eden rhetorical Satan Satan returns says scheme section of Book sense shape significance spatial speech Structure of Paradise Studies style suggest symbolic syntax temporal thee things thir thou tion tradition universe verbal verse paragraph verse sentence victory vision Whaler
Popular passages
Page 50 - Hail horrors, hail Infernal world, and thou profoundest Hell Receive thy new possessor; one who brings A mind not to be changed by place or time.
Page 42 - OF Man's First Disobedience, and the Fruit Of that Forbidden Tree, whose mortal taste Brought Death into the World, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful Seat, Sing Heav'nly Muse, that on the secret top Of Oreb, or of Sinai, didst inspire That Shepherd, who first taught the chosen Seed, In the Beginning how the Heav'ns and Earth Rose out of Chaos...
Page 36 - And wisdom at one entrance quite shut out. So much the rather thou, celestial Light, Shine inward, and the mind through all her powers Irradiate ; there plant eyes, all mist from thence Purge and disperse, that I may see and tell Of things invisible to mortal sight.
Page 134 - From their Creator, and transgress his will For one restraint, lords of the world besides * Who first seduced them to that foul revolt...
Page 130 - Rocks, caves, lakes, fens, bogs, dens, and shades of death, A universe of death ; which God by curse Created evil, for evil only good ; Where all life dies, death lives, and nature breeds, Perverse...
Page 61 - Heaven is for thee too high To know what passes there: be lowly wise: Think only what concerns thee, and thy being: Dream not of other worlds, what creatures there live, in what state, condition or degree; Contented that thus far hath been reveal'd Not of earth only, but of highest heaven.
Page 37 - O goodness infinite, goodness immense ! That all this good of evil shall produce, And evil turn to good ; more wonderful Than that which by creation first brought forth Light out of darkness ! Full of doubt I stand, Whether I should repent me now of sin By me done, and occasion'd, or rejoice Much more, that much more good thereof shall spring ; To God more glory, more good-will to men From God, and over wrath grace shall abound.
Page 37 - Round through the vast profundity obscure ; And said, Thus far extend, thus far thy bounds, This be thy just circumference, O World...