The Works of the English Poets: PrefacesH. Hughs, 1781 - English poetry |
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Page 1
... written before he was twelve , in which there is nothing more than other forward boys have attained , aud which is not equal to Cowley's performances at the fame age . His time was now fpent wholly in reading and writing . As he read ...
... written before he was twelve , in which there is nothing more than other forward boys have attained , aud which is not equal to Cowley's performances at the fame age . His time was now fpent wholly in reading and writing . As he read ...
Page 9
... written before he was twelve , in which there is nothing more than other forward boys have attained , aud which is not equal to Cowley's performances at the fame age . His time was now fpent wholly in reading and writing . As he read ...
... written before he was twelve , in which there is nothing more than other forward boys have attained , aud which is not equal to Cowley's performances at the fame age . His time was now fpent wholly in reading and writing . As he read ...
Page 11
... written at fourteen his poem upon Silence , after Rochefter's Nothing . He had now formed his verfification , and in the fmoothness of his numbers furpaffed his original but this is but a small part of his praife ; he discovers fuch ac ...
... written at fourteen his poem upon Silence , after Rochefter's Nothing . He had now formed his verfification , and in the fmoothness of his numbers furpaffed his original but this is but a small part of his praife ; he discovers fuch ac ...
Page 16
... writing to himself , and they agreed for a while to flatter one another . It is pleafant to remark how foon Pope learned the cant of an author , and began to treat criticks with con- tempt , tempt , though he had yet fuffered nothing ...
... writing to himself , and they agreed for a while to flatter one another . It is pleafant to remark how foon Pope learned the cant of an author , and began to treat criticks with con- tempt , tempt , though he had yet fuffered nothing ...
Page 22
... written the Elay on Criticism ; a work which displays fuch extent of comprehenfion , fuch nicety of diftinction , fuch acquaintance with man- kind , and fuch knowledge both of an- cient and modern learning , as are not often attained by ...
... written the Elay on Criticism ; a work which displays fuch extent of comprehenfion , fuch nicety of diftinction , fuch acquaintance with man- kind , and fuch knowledge both of an- cient and modern learning , as are not often attained by ...
Common terms and phrases
Addifon affiftance afked afterwards againſt Atrides becauſe Binfield Bleft Bolingbroke cenfure character Cibber compofition confeffed confiderable confidered criticiſm criticks defign defire Dennis difcovered Dryden Dunciad eafily Effay elegance English Epiftle epitaph facred fafe faid fame fatire fays feems feen felected fenfe fent fhall fhew fhewn fhould firft firſt folicitation fome fomething fometimes foon friendſhip ftill ftudies fubfcription fubject fuch fuffered fufficient fufpect fupplied fuppofed furely himſelf Homer honour Iliad illuftration intereft kindneſs laft learning lefs Letters loft Lord Lord Halifax mafter ment mind moft moſt muft muſt neceffary nefs never numbers o'er obferved Ovid paffages paffion perfons perfuaded perhaps perufal pleafed pleaſe pleaſure poem poet poetical poetry Pope Pope's powers praife praiſe prefent printed profe publick publiſhed purpoſe racter raiſed readers reafon rife thefe theſe thofe thoſe thought tion tranflation ufed unkle uſed verfes verfion verſes Warburton whofe write written
Popular passages
Page 347 - As Gay was the favourite of our author, this epitaph was probably written with an uncommon degree of attention ; yet it is not more successfully executed than the rest, for it will not always happen that the success of a poet is proportionate to his labour.
Page 212 - His legs were so slender, that he enlarged their bulk with three pair of stockings, which were drawn on and off by the maid; for he was not able to dress or undress himself, and neither went to bed nor rose without help.
Page 256 - Dryden it must be said, that if he has brighter paragraphs, he has not better poems.
Page 246 - Of composition there are different methods. Some employ at once memory and invention, and, with little intermediate use of the pen, form and polish large masses by continued meditation, and write their productions only when, in their own opinion, they have completed them.
Page 76 - O'er Heaven's clear azure spreads her sacred light, When not a breath disturbs the deep serene, And not a cloud o'ercasts the solemn scene ; Around her throne the vivid planets roll, And stars unnumber'd gild the glowing pole, O'er the dark trees a yellower verdure shed, And tip with silver...
Page 315 - To circumscribe poetry by a definition will only shew the narrowness of the definer, though a definition which shall exclude Pope will not easily be made. Let us look round upon the present time, and back upon the past; let us...
Page 255 - The style of Dryden is capricious and varied; that of Pope is cautious and uniform. Dryden obeys the motions of his own mind; Pope constrains his mind to his own rules of composition. Dryden is sometimes vehement and rapid; Pope is always smooth, uniform, and gentle.
Page 252 - ... none to himself. He examined lines and words with minute and punctilious observation, and retouched every part with indefatigable diligence, till he had left nothing to be forgiven.
Page 85 - ... me to live agreeably in the town, or contentedly in the country, which is really all the difference I set between an easy fortune and a small one.
Page 252 - Thirty-eight; of which Dodsley told me, that they were brought to him by the author, that they might be fairly copied. "Almost every line...