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Yet lo! in me what authors have to brag on!
Reduc'd at last to hiss in my own dragon.
Avert it, Heaven! that thou my Cibber, e'er
Shouldst wag a serpent-tail in Smithfield fair!
Like the vile straw that's blown about the streets,
The needy poet sticks to all he meets,
Coach'd, carted, trod upon, now loose, now fast,
And carried off in some dog's tail at last.
Happier thy fortunes! like a rolling stone,
Thy giddy dulness still shall lumber on,
Safe in its heaviness, shall never stray,
But lick up every blockhead in the way.
Thee shall the patriot, thee the courtier taste,
And every year be duller than the last,
Till rais'd from booths, to theatre, to court,
Her seat imperial Dulness shall transport.
Already Opera prepares the way,
The sure fore-runner of her gentle sway;

300

Let her thy heart, next drabs and dice, engage,
The third mad passion of thy doting age.
Teach thou the warbling Polypheme to roar,
And scream thyself as none e'er scream'd before!

VARIATIONS.

Ver. 290. In former edit.

In the dog's tail his progress ends at last.

Ver. 295. Safe in its heaviness, &c.] In the for-
mer edit.

Too safe in inborn heaviness to stray;
And lick up every blockhead in the way."
Thy dragons, magistrates and peers shall taste,
And from each shew rise duller than the last,
'Till rais'd from booths, &c.

Ver. 303-306. Added with the new Hero.

REMARKS.

political principles. He was employed to hold the pen in the character of a popish successor, but afterwards printed his narrative on the other side. He had managed the ceremony of a famous popeburning on Nov. 17, 1610; then became a trooper in king James's army, at Hounslow-heath. After the Revolution he kept a booth at Bartholomewfair, where, in the droll called St. George for England, he acted in his old age in a dragon of green leather of his own invention; he was at last taken into the Charter-house, and there died, aged sixty years.

To aid our cause, if Heaven thou canst not bend,
Hell thou shalt move; for Faustus is our friend:
Pluto with Cato thou for this shalt join,

And link the Mourning Bride to Proserpine. 310
Grubstreet! thy fall should men and gods conspire,
Thy stage shall stand, ensure it but from fire.
Another Eschylus appears! prepare

For new abortions, all ye pregnant fair!
In flames, like Semele's, be brought to bed,
While opening Hell spouts wild-fire at your head.
Now, Bavius, take the poppy from thy brow,
And place it here! here, all ye heroes, bow!

This, this is he, foretold by ancient rhymes:
Th' Augustus born to bring Saturnian times. 320
Signs following signs lead on the mighty year,
See! the dull stars roll round and re-appear.
See, see, our own true Phoebus wears thy bays!
Our Midas sits lord chancellor of plays!

On Poets' tombs see Benson's titles writ!
Lo! Ambrose Phillips is preferr'd for wit!

VARIATION.

Ver. 323. See, see, our own, &c.] In the for
mer Ed.,

Beneath his reign, shall Eusden wear the bays,
Cibber preside lord chancellor of plays,
Benson sole judge of architecture sit,
And Namby Pamby be preferr'd for wit!
I see th' unfinish'd dormitory wall,

I see the Savoy totter to her fall;
Hibernian politics, O Swift! thy doom,
And Pope's translating three whole years with
Proceed, great days! &c.
[Broome.

REMARKS.

subscribing to the English translation of Homer's Iliad) had not that merit with respect to the Odyssey, or he might have been better instructed in the Greek Punnology.

Ver. 308, 309. Faustus, Pluto, &c.] Names of miserable farces, which it was the custom to act at the end of the best tragedies, to spoil the digestion of the audience.

Ver. 312. ensure it but from fire.] In Tibbald's farce of Proserpine, a corn-field was set on fire: whereupon the other playhouse had a barn burnt down for the recreation of the spectators. They also rivalled each other in showing the burnings of hell-fire, in Dr. Faustus.

Ver. 313. Another Eschylus appears!] It is reported of Eschylus, that when his tragedy of the Furies was acted, the audience were so terrified that the children fell into fits, and the big-bellied women miscarried.

Ver. 297. Thee shall the patriot, thee the courtier taste,] It stood in the first edition with blanks, ** and **. Concanen was sure 66 they must needs mean no body but king George and queen Caroline; and said he would insist it was so, till the poet cleared himself by filling up the blanks otherwise, agreeably to the context, and con-writ!] W-m Benson (surveyor of the buildings sistent with his allegiance." Pref. to a collection of verses, essays, letters, &c. against Mr. P. printed for A. Moor, p. 6.

Ver. 305. Polypheme] He translated the Italian opera of Polifemo; but unfortunately lost the whole jest of the story. The Cyclops asks Ulysses his name, who tells him his name is Noman: After his eye is put out, he roars and calls the brother Cyclops to his aid: they inquire who has hurt him? he answers Noman: whereupon they all go away again. Our ingenious translator made Ulysses answer, I take no name; whereby all that followed became unintelligible. Hence it appears that Mr. Cibber (who values himself on

Ver. 325. On poets tombs see Benson's titles

to his majesty K. George I.) gave in a report to the lords, that their house and the Painted-chamber adjoining were in immediate danger of falling. Whereupon the lords met in a committee to appoint some other place to sit in, while the house should be taken down. But it being proposed to cause some other builders first to inspect it, they found it in very good condition. The lords, upon this, were going upon an address to the king against Benson, for such a misrepresentation; but the earl of Sunderland, then secretary, gave them an assurance that his majesty would remove him, which was done accordingly. In favour of this man, the famous sir Christopher Wren, who had

See under Ripley rise a new White-hall,
While Jones' and Boyle's united labours fall:
While Wren with sorrow to the grave descends,
Gay dies unpension'd with a hundred friends; 330

REMARKS.

been architect to the crown for above fifty years, who built most of the churches in London, laid the first stone of St. Paul's, and lived to finish it, had been displaced from his employment at the age of near ninety years.

Ver. 326. Ambrose Philips] "He was" (saith Mr. Jacob)" one of the wits at Button's, and a justice of the peace:" but he hath since met with higher preferment in Ireland: and a much greater

Hibernian politics, O Swift! thy fate;

And Pope's, ten years to comment and translate.
Proceed, great days! till learning fly the shore,
Till birch shall blush with noble blood no more,
Till Thames see Eton's sous for ever play,
Till Westminster's whole year be holiday,
Till Isis' elders reel, their pupils sport,
And Alma Mater lie dissolv'd in port?

VARIATION.

Ver. 531. in the former edition thus: -O Swift! thy doom,

[Broome. And Pope's translating ten whole years with On which was the following Note: "He concludes his irony with a stroke upon himself: for whoever character we have of him in Mr. Gildon's Comimagines this a sarcasm on the other ingenious plete Art of Poetry, vol. i. p. 157. "Indeed he person, is surely mistaken. The opinion our author confesses, he dares not set him quite on the same had of him was sufficiently shown by his joining foot with Virgil, lest it should seem flattery, but him in the undertaking of the Odyssey; in which he is much mistaken if posterity does not afford Mr. Broome, having engaged without any prehim a greater esteem than he at present enjoys."vious agreement, discharged his part so much to He endeavoured to create some misunderstanding between our author and Mr. Addison, who also soon after he abused as much. His constant cry was, that Mr. P. was an enemy to the government; and in particular he was the avowed author of a report very industriously spread, that he had a hand in a party paper called the Examiner: a falsehood well known to those yet living, who had the direction and publication of it

Ver. 328. While Jones' and Boyle's united labours fall:] At the time when this poem was written, the banquetting-house of Whitehall, the church and piazza of Covent-garden, and the palace and chapel of Somerset-house, the works of the famous Inigo Jones, had been for many years so neglected, as to be in danger of ruin. The portico of Covent-garden church had been just then restored and beautified at the expense of the earl of Burlington; who, at the same time, by his publication of the designs of that great master and Palladio, as well as by many noble buildings of his own, revived the true taste of architecture in this kingdom.

Ver. 330. Gay dies unpension'd, &c.] See Mr. Gay's fable of the Hare and many Friends. This gentleman was early in the friendship of our author, which continued to his death. He wrote several works of humour with great success, the Shepherd's Week, Trivia, the What d'ye call it, Fables; and lastly, the celebrated Beggar's Opera; a piece of satire which hit all tastes and degrees of men, from those of the highest quality to the very rabble: that verse of Horace:

Primores populi arripuit, populumque tributim, could never be so justly applied as to this. The vast success of it was unprecedented, and almost incredible: what is related of the wonderful effects of the ancient music or tragedy hardily came up to it: Sophocles and Euripides were less followed and famous. It was acted in London sixty-three days, uninterrupted; and renewed the next season with equal applauses. It spread into all the great towns of England, was played in many places to the thirtieth and fortieth time, and at Bath and Bristol fifty, &c. It made its progress into Wales, Scotland, and Ireland, where it was performed twenty-four days together: it was last peted in Minorca. The fame of it was not con

Mr. Pope's satisfaction, that he gratified him with the full sum of five hundred pounds, and a present of all those books for which his own interest could procure him subscribers, to the value of one hundred more. The author only seems to lament, that he was employed in translation at all."

REMARKS.

The

fined to the author only; the ladies carried about with them the favourite songs of it in fans; and houses were furnished with it in screens. person who acted Polly, till then obscure, became all at once the favourite of the town; her pictures were engraved, and sold in great numbers, her life written, books of letters and verses to her, published; and pamphlets made even of her sayings and jests.

Furthermore, it drove out of England, for that season, the Italian opera, which had carried all before it for ten years. That idol of the nobility and people, which the great critic Mr. Dennis by

the labours and outcries of a whole life could not overthrow, was demolished by a single stroke of this gentleman's pen. This happened in the year 1728. Yet so great was his modesty, that he constantly prefixed to all the editions of it this motto, Nos hæc novimus esse nihil.

Ver. 332. And Pope's, ten years to comment and translate.] The author here plainly laments that he was so long employed in translating and commenting. He began the Iliad in 1713, and finished it in 1719. The edition of Shakespeare (which he undertook merely because nobody else would) took up near two years more in the drud. gery of comparing impressions, rectifying the scenery, &c. and the translation of half the Odyssey employed him from that time to 1725.

Ver. 333. Proceed, great days! &c.] It may perhaps seem incredible, that so great a revolution in learning as is here prophesied, should be brought about by such weak instruments as bave been [hitherto] described in our poem: but do not thou, gentle reader, rest too secure in thy contempt of these instruments. Remember what the Dutch stories somewhere relate, that a great part of their provinces was once overflowed, by a small opening made in one of their dykes by a single

water-rat.

Enough! enough! the raptur'd monarch cries! And thro' the ivory gate the vision flies.

REMARKS.

However, that such is not seriously the judgment of our Poet, but that he conceiveth better hopes from the diligence of our schools, from the regularity of our universities, the discernment of our great men, the accomplishments of our nobility, the encouragement of our patrons, and the genius of our, writers of all kinds (notwithstanding some few exceptions in each), may plainly be seen from his conclusion; where, causing all this vision to pass through the ivory gate, he expressly, in the language of poesy, declares all such imaginations to be wild, ungrounded, and fictitious.-Scribl.

VARIATIONS.

After ver. 338. in a former edit. were the following lines:

Signs following signs lead on the mighty year;
See, the dull stars roll round and re-appear.
She comes! the cloud-compelling power, behold!
With Night primeval, and with Chaos old.
Lo! the great Anarch's ancient reign restored,
Light dies before her uncreating word.
As one by one, at dread Medea's strain,
The sickening stars fade off th' etherial plain:
As Argus' eyes, by Hermes' wand opprest,
Clos'd one by one to everlasting rest;
Thus at her felt approach, and secret might,
Art after art goes out, and all is night.
See sculking Truth in her old cavern lie,
Secur'd by mountains of heap'd casuistry:
Philosophy, that touch'd the heavens before,
Shrinks to her hidden cause, and is no more:
See Physic beg the Stagyrite's defence!
See Metaphysic call for aid on Sense !
See Mystery to Mathematics fly!

In vain! they gaze, turn giddy, rave, and die.
Thy hand, great Dulness! lets the curtain fall,
And universal darkness buries all.

BOOK IV.

ARGUMENT.

THE poet being, in this book, to declare the com pletion of the prophecies me tioned at the end of the former, makes a new invocation; as the greater poets are wont, when some high and worthy matter is to be sung. He shows the goddess coming in her majesty, to destroy order and science, and to substitute the kingdom of the dull upon Earth. How she leads captive the Sciences, and silences the Muses; and what they be who succeed in their stead. All her children, by a wonderful attraction, are drawn about her, and bear along with them divers others, who promote her empire by connivance, weak resistance, or discouragement of arts; such as half wits, tasteless adinirers, vain pretenders, the flatterers of dunces, or the patrons of them. All these crowd round het; one of them, offering to approach her, is driven back by a rival, but she commends and encourages both. The first who speak in forin are the geniuses of the schools, who assure her of their care to advance her cause by confining youth VOL. XII.

to words, and keeping them out of the way of real knowledge. Their address, and her gracious answer; with her charge to them and the universities. The universities appear by their proper deputies, and assure her that the same method is observed in the progress of educa.. tion. The speech of Aristarchus on this subject. They are driven off by a band of young gentlemen returned from travel with their tu tors; one of whom delivers to the goddess, in a polite oration, an account of the whole conduct and fruits of their travels: presenting to her at the same time a young nobleman perfectly accomplished. She receives him graciously, and endues him with the happy quality of want of shame. She sees loitering about her a number of indolent persons abandoning all business and duty, and dying with laziness: to these approaches the antiquary Annius, entreating her to make them virtuosos, and assign them over to him: but Mummius, another antiquary, complaining of his fraudulent proceeding, she finds a method to reconcile their difference. Then enter a troop of people fantastically adorned, offering her strange and exotic presents: amongst them, one stands forth and demands justice on another, who had deprived him of one of the greatest curiosities in nature: but he justifies himself so well, that the goddess gives them both her approbation. She recommends to them to find proper employment for the indolents before mentioned, in the study of butterflies, shells, birds-nests, moss, &c. but with particular caution, not to proceed beyond trifles, to any useful or extensive views of Nature, or of the Author of Nature. Against the last of these apprehensions, she is secured by a hearty address from the minute philosophers and free-thinkers, one of whom speaks in the name of the rest. The youth, thus instructed and principled, are delivered to her in a body, by the hands of Silenus; and then admitted to taste the cup of the Magus her high priest,' which causes a total oblivion of all obligations, divine, civil, moral, or rational. To these her adepts she sends priests, attendants, and comforters, of various kinds; confers on them orders and degrees; and then dismissing them with a speech, confirming to each his privileges, and telling what she expects from each, concludes with a yawn of extraordinary virtue: the progress and effects whereof on all orders of men, and the consummation of all, in the restoration of Night and Chaos, conclude the poem.

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Of darkness visible so much be lent,
As half to show, half veil the deep intent.
Ye powers! whose mysteries restor'd I sing,
To whom Time bears me on his rapid wing,
Suspend a while your force inertly strong,
Then take at once the poet and the song.

10

Now flam'd the dog-star's unpropitious ray, Smote every brain, and wither'd every bay; Sick was the Sun, the owl forsook his bower, The moon-struck prophet felt the madding hour: Then rose the seed of Chaos and of Night, To blot out order, and extinguish light, Of dull and venal a new world to mold, And bring Saturnian days of lead and gold.

She mounts the throne: her head a cloud con

In broad effulgence all below reveal'd,
('Tis thus aspiring Dulness ever shines)
Soft on her lap her laureate son reclines.

REMARKS.

[ceal'd,

20

Beneath her foot-stool, Science groans in chains,
And wit dreads exile, penalties, and pains.
There foam'd rebellious Logic, gagg'd and bound;
There, stript, fair Rhetoric languish'd on the ground;
His blunted arms by Sophistry are borne,
And shameless Billingsgate her robes adorn.
Morality, by her false guardians drawn,
Chicane in furs, and Casuistry in lawn,
Gasps, as they straiten at each end the cord,
And dies, when Dulness gives her Page the word. 30
Mad Mathesis alone was unconfin'd,

Too mad for mere material chains to bind,
Now to pure space lifts her extatic stare,
Now running round the circle, finds it square.

REMARKS.

verified his prophecy (p. 243. of his own Life, Svo. ch. ix.) where he says, "the reader will be as much pleased to find me a dunce in my old age, as he was to prove me a brisk blockhead in my youth." Wherever there was any room for briskness, or alacrity of any sort, even in sink

which I am much more certain than that the Iliad itself was the work of Solomon, or the Batrachomnomachia of Homer, as Barnes hath affirmed.-ing, he hath had it allowed; but here, where Bentl.

Ver. 1, &c.] This is an invocation of much piety. The poet, willing to approve himself a genuine son, beginneth by showing (what is ever agreeable to Dulness) his high respect for antiquity and a great family, how dead or dark soever: next declareth his passion for explaining mysteries; and lastly his impatience to be reunited to her.-Scribl.

Ver. 2. dread Chaos, and eternal Night!] Invoked, as the restoration of their empire is the action of the poem.

there is nothing for him to do but to take his natural rest, he must permit his historian to be silent. It is from their actions only that princes have their character, and poets from their works: and if in those he be as much asleep as any fool, the poet must leave him and them to sleep to all eternity.-Bentl.

Ibid. her laureate] "When I find my name in the satirical works of this poet, I never look upon it as any malice meant to me, but profit to himself. For he considers that my face is more known than most in the nation; and therefore a lick at the laureate will be a sure bait ad captandum vulgus, to catch little readers."-Life of Colley Cibber, ch. ii.

Ver. 14. To blot out order, and extinguish light,] The two great ends of her mission; the one in quality of daughter of Chaos, the other as daughter of Night. Order here is to be understood extensively, both as civil and moral; the distinction between high and low in society, and true and false in individuals: light as intellectualment, that this fourth Dunciad, as well as the only, wit, science, arts.

Ver. 15. Of dull and venal] The allegory continued; dull referring to the extinction of light or science; venal to the destruction of order, and the truth of things.

Ibid. A new world] In allusion to the Epicurean opinion, that from the dissolution of the natural world into Night and Chaos, a new one should arise; this the poet alluding to, in the production of a new moral world, makes it partake of its original principles.

Ver. 16. Lead and gold.] i. e. dull and venal. Ver. 20. her laureate son reclines.] With great judgment it is imagined by the poet, that suck a colleague as Dulness had elected, should sleep on the throne, and have very little share in the action of the poem. Accordingly he hath done little or nothing from the day of his anointing; having past through the second book without taking part in any thing that was transacted about him; and through the third in profound sleep. Nor ought this, well considered, to seem strange in our days, when so many king-consorts have done the like.-Scribl.

This verse our excellent laureate took so to heart, that he appealed to all mankind, "if he was not as seldom asleep as any fool!" But it is hoped the poet hath not injured him, but rather

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Now if it be certain, that the works of our poet have owed their success to this ingenious expedient, we hence derive an unanswerable argu

former three, hath had the author's last hand, and was by him intended for the press: or else to what purpose hath he crowned it, as we see, by this finishing stroke, the profitable lick at the laureate ?-Bentl.

Dul

Ver. 21, 22. Beneath her foot-stool, &c.] We are next presented with the pictures of those whom the goddess leads in captivity. Science is only depressed and confined so as to be rendered useless; but wit or genius, as a more dangerous and active enemy, punished, or driven away: ness being often reconciled in some degree with learning, but never upon any terms with wit. And accordingly it will be seen that she admits something like each science, as casuistry, sophistry, &c. but nothing like wit, opera alone supplying its place.

Ver. 30. gives her Page the word.] There was a judge of this name, always ready to hang any man that came before him, of which he was suffered to give a hundred miserable examples, during a long life, even to his dotage.-Though the candid Scriblerus imagined page here to mean no more than a page or mute, and to allude to the custom of strangling state criminals in Turkey by mutes or pages. A practice more decent than that of our Page, who, before he hanged any one, loaded him with reproachful language.—Scribl

40

But held in tenfold bonds the Muses lie,
Watch'd both by Envy's and by Flattery's eye,
There to her heart sad Tragedy addrest
The dagger wont to pierce the tyrant's breast;
But sober History restrain'd her rage,
And promis'd vengeance on a barbarous age.
There sunk Thalia, nerveless, cold, and dead,
Had not her sister Satire held her head:
Nor could'st thou, Chesterfield! a tear refuse,
Thou wep'st, and with thee wept each gentle Muse.
When lo! a harlot form soft sliding by,
With mincing step, small voice, and languid eye:

REMARKS.

Ver. 39. But sober History] History attends on tragedy, satire on comedy, as their substitutes in the discharge of their distinct functions; the one in high life, recording the crimes and punishments of the great; the other in low, exposing the vices or follies of the common people. But it may be asked, How came history and satire to be admitted with impunity to minister confort to the Muses, even in the resence of the goddess, and in the midst of all her triumphs? 66 A question," says Scriblerus, "which we thus resolve: History was brought up in her infancy by Dulness herself; but being afterwards espoused into a noble house, she forgot (as is usual) the humility of her birth, and the cares of her early friends. This occasioned a long estrangement between her and Dulness. At length, in process of time, they met together in a monk's cell, were reconciled, and became better friends than ever. After this they had a second quarrel, but it held not long, and are now again on reasonable terms, and so are likely to continue." This accounts for the connivance shown to history on this occasion. But the boldness of satire springs from a very different cause; for the reader ought to know, that she alone of all the sisters is unconquerable, never to be silenced, when truly inspired and animated (as should seem) from above, for this very purpose, to oppose the kingdom of Dulness to her last breath.

Ver. 43. Nor could'st thou, &c.] This noble person in the year 1737, when the act aforesaid was brought into the house of lords, opposed it in an excellent speech (says Mr. Cibber)" with a lively spirit, and uncommon eloquence." This speech had the honour to be answered by the said Mr. Cibber, with a lively spirit also, and in a manner very uncommon, in the eighth chapter of of his Life and Manners. And here, gentle reader, would I gladly insert the other speech, whereby thou mightest judge between them; but I must defer it on account of some differences not yet adjusted between the noble author, and myself, concerning the true reading of certain passages.— Bentl.

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60

O Cara! Cara silence all that train: Joy to great Chaos! let division reign: Chromatic tortures soon shall drive them hence, Break all their nerves, and fritter all their sense; One trill shall harmonize joy, grief, and rage, Wake the dull Church, and lull the ranting Stage; To the same notes thy sons shall hum, or snore, And all thy yawning daughters cry, encore. Another Phoebus, thy own Phoebus, reigns, Joys in my jiggs, and dances in my chains. But soon, ah soon, rebellion will commence, If Music meanly borrows aid from Sense: Strong in new arms, lo! Giant Handel stands, Like bold Briareus, with a hundred hands; To stir, to rouze, to shake the soul he comes, And Jove's own thunders follow Mars's drums. Arrest him, empress, or you sleep no more— She heard, and drove him to th' Hibernian shore. 70 And now had Fame's posterior trumpet blown, And all the nations summon'd to the throne. The young, the old, who feel her inward sway, One instinct seizes, and transports away. None need a guide, by sure attraction led, And strong impulsive gravity of head: None want a place, for all their centre found, Hung to the goddess, and coher'd around. Not closer orb, in orb, conglob'd are seen The buzzing bees about their dusky queen.

80

The gathering number, as it moves along, Involves a vast involuntary throng, Who, gently drawn, and struggling less and less, Roll in her vortex, and her power confess. Not those alone who passive own her laws, But who, weak rebels, more advance her cause. Whate'er of dunce in college or in town Sneers at another, in toupee or gown;

REMARKS.

Ver. 54. Let division reign:] Alluding to the false taste of playing tricks in music with numberless divisions, to the neglect of that harmony which conforms to the sense, and applies to the passions. Mr. Handel had introduced a great number of hands, and more variety of instruiner ts into the orchestra, and employed even drums and cannon to make a fuller chorus: which proved so much too manly for the fine gentlemen of his age, that he was obliged to remove his music into Ireland. After which they were reduced, for want of composers, to practise the patch-work above-mentioned.

Ver. 76. to 101. It ought to be observed that Ver. 45. When lo! a harlot form] The attitude here are three classes in this assembly. The given to this phantom represents the nature and first, of men absolutely and avowedly dull, who genius of the Italian opera; its affected airs, its naturally adhere to the goddess, and are imaged effeminate sounds, and the practice of patching in the simile of the bees about their queen. The up these operas with favourite songs, incoherently second involuntarily drawn to her, though not put together. These things were supported by caring to own her influence; from ver. 81. to the subscriptions of the nobility. This circum-90. The third of such as, though not members stance, that opera should prepare for the opening of the grand sessions, was prophesied of in Book iii. ver. 304.

Already Opera prepares the way,
The sure forerunner of her gentle sway.

of her state, yet advance her service by flattering Dulness, cultivating mistaken talents, patronizing vile scribblers, discouraging living merit, or setting up for wits, and inen of taste in arts they understand not; from ver. 91. to 101.

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