Re-Framing the Theatrical: Interdisciplinary Landscapes for PerformanceAlison Oddey takes us on a spectator's journey engaging with art forms that cross boundaries of categorization. She questions the role of the spectator and director, including interviews with Deborah Warner; the nature of art works and performance with artists Heather Ackroyd, Dan Harvey and Graeme Miller. She provocatively demonstrates the spectator as centre of the artistic experience, a new kind of making theatre-art, revealing its spirit and nature; searching for space and contemplation in a hectic Twenty-First century landscape. |
From inside the book
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Page 3
... solo spectator - performer . By ' theatrical ' , I mean the liveness , playing and playfulness of event , where performative space is understood as a social engagement of performer and spectator ( and of audience reception ) , where ...
... solo spectator - performer . By ' theatrical ' , I mean the liveness , playing and playfulness of event , where performative space is understood as a social engagement of performer and spectator ( and of audience reception ) , where ...
Page 89
... solo specta- tor's journey through London's Euston Tower in Warner's Tower Project of 1999 ( again commissioned by ... solo walk had never been Warner's ori- ginal intention with the St. Pancras Project and had originated from her own ...
... solo specta- tor's journey through London's Euston Tower in Warner's Tower Project of 1999 ( again commissioned by ... solo walk had never been Warner's ori- ginal intention with the St. Pancras Project and had originated from her own ...
Page 90
... solo walk and it prompted self - doubt , ' How can I call myself a director if all I am offering them is a walk ? ' Four years on from the St. Pancras Project , Warner's interest in other buildings as sites for theatrical performance ...
... solo walk and it prompted self - doubt , ' How can I call myself a director if all I am offering them is a walk ? ' Four years on from the St. Pancras Project , Warner's interest in other buildings as sites for theatrical performance ...
Contents
Devising and Technology 223 | 19 |
CrossArt Performance | 42 |
The Opera Director | 60 |
Copyright | |
7 other sections not shown
Other editions - View all
Re-Framing the Theatrical: Interdisciplinary Landscapes for Performance A. Oddey Limited preview - 2015 |
Re-Framing the Theatrical: Interdisciplinary Landscapes for Performance A. Oddey No preview available - 2007 |
Common terms and phrases
Ackroyd and Harvey actors Angel Project architectural argues art form audience Bankwest Tower Barracks Arch become Bill Viola building chapter Chrysler Building church collaboration contemporary created cross-art forms cross-over cultural cwbusiness Deborah Warner describes devising Dilston Grove directed by Deborah director emotional engagement Euston Tower event everyday experience explore feel film Flâneur frame gallery Graeme Miller grass Hayward Gallery Heather Ackroyd Ibid idea imaginative in-between installation interaction interdisciplinary landscapes journey landscapes for performance Linked listening live London look McBurney memory narrative non-theatre opera painting perception Perth Photo piece play re-framing reality rehearsal relationship role Royal National Theatre sculpture self-composed poetics sense shift silence silent texts Simon McBurney site-specific solo sonic sound artist spectator spectator's spiritual stories Tate Modern theatre theatre director theatre-making theatrical things Tower Project twenty-first century unpublished interview urban video art viewer Viola walk Weems writing York