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Wak'd by the circling hours, with rosy hand
Unbarr'd the gates of light.

subject in the first book, as also
in the second, ii. 165. &c.
What when we fled amain, pursued

and struck

With heav'n's afflicting thunder, and besought

There is a cave

who look into Homer, are surprised to find his battles still rising one above another, and improving in horror, to the conclusion of the Iliad. Milton's

The deep to shelter us? this hell fight of angels is wrought up

then seem'd

A refuge from those wounds. In short, the poet never mentions any thing of this battle but in such images of greatness and terror as are suitable to the subject. Among several others I cannot forbear quoting that sage, where the Power, who is described as presiding over the Chaos, speaks in the second book, ii. 988. &c.

pas

Thus Satan ; and him thus the

Anarch old,

With falt'ring speech and visage

incompos'd, Answer'd. I know thee, stranger,

who thou art, That mighty leading angel, who of late

Made head against heav'n's King, though overthrown.

I saw and heard, for such a numerous

host

with the same beauty. It is ushered in with such signs of wrath as are suitable to Omnipotence incensed. The first engagement is carried on under a cope of fire, occasioned by the flights of innumerable burning darts and arrows which are discharged from either host. The second onset is still more terrible, as it is filled with those artificial thunders, which seem to make the victory doubtful, and produce a kind of consternation even in the good angels. This is followed by the tearing up of mountains and promontories; till, in the last place, the Messiah comes forth in the fulness of majesty and terror. The pomp of his appearance amidst the roarings of his thunders, the flashes of his

Fled not in silence through the lightnings, and the noise of his

frighted deep

With ruin upon ruin, rout on rout, Confusion worse confounded; and heav'n-gate

Pour'd out by millions her victorious bands

Pursuing.

It required great pregnancy of invention and strength of imagination, to fill this battle with such circumstances as should raise and astonish the mind of the reader; and at the same time an exactness of judgment, to avoid every thing that might appear light or trivial. Those

chariot-wheels, is described with
the utmost flights of human ima-
gination. Addison.
2. -till morn,

Wak'd by the circling hours,
with rosy hand
Unbarr'd the gates of light.]
This is copied from Homer's
Iliad, v. 749. where the hours
are feigned in like manner to
guard the gates of heaven.

πυλαι ουρανου, ὡς ἔχον Ωραι Της επιτέτραπται μέγας ουρανος, Ου λυμπος τε,

Ημεν ανακλίναι τουκινον νέφος, ηδ' ότι

θείναι.

Within the mount of God, fast by his throne,
Where light and darkness in perpetual round

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Lodge and dislodge by turns, which makes through heaven

Grateful vicissitude, like day and night;

Light issues forth, and at the other door
Obsequious darkness enters, till her hour

To veil the heav'n, though darkness there might well
Seem twilight here: and now went forth the morn
Such as in highest heav'n, array'd in gold

Empyreal; from before her vanish'd night,

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Shot through with orient beams; when all the plain 15

Heav'n's golden gates, kept by the
winged hours;
Commission'd in alternate watch they
stand,

The sun's bright portals and the skies

command,

Involve in clouds th' eternal gates of
day,

Or the dark barrier roll with ease
away.
Pope.

6. Where light and darkness &c.] The making darkness a positive thing is poetical. But besides that, as he thought fit to bring it into heaven, it could not be otherwise represented, for obvious reasons. Warburton.

And the thought of light and darkness lodging and dislodging by turns, the one issuing forth and the other entering, is plainly borrowed from a fine passage in Hesiod, Theog. 748.

όθι νυξ τε και ήμερα αστον ιούσαι Αλληλας προσέειπον, αμειβόμεναι μεγαν

ουδόν
Χαλκιον· ἡ μεν έσω καταβησεται, ἡ δι
θυραζεν

Ερχεται, ουδε ποτ' αμφοτέρας δομος
εντός εέργει.

14. —vanish'd night,] It is

very absurdly printed in some editions, vanquished night.

15. Shot through with orient beams;] This quaint conceit of night's being shot through &c. is much below the usual dignity. of Milton's descriptions. The Italian poets, even the very best of them, are fond of such boyish fancies, and there is no doubt but we are obliged to them for this. So Marino speaking of Night, Adon. cant. v. st. 120.

E di tenebre armata uccise il giorno. Both, in my opinion, very puerile. Thyer.

A very ingenious man (Mr. Seward) is still for justifying the expression, and says that nothing can be better suited to the nature of the thing; the rays of light do literally shoot through the darkness.

15. Prudentius, Hymn ii. 6. Caligo terræ scinditur Solis percussa spiculo. See also Buchanan, Silv. iv. p. 58. Opp. edit. 1715.

Cover'd with thick imbattled squadrons bright,
Chariots and flaming arms, and fiery steeds
Reflecting blaze on blaze, first met his view:
War he perceiv'd, war in procinct, and found
Already known what he for news had thought
To have reported: gladly then he mix'd
Among those friendly pow'rs, who him receiv'd
With joy and acclamations loud, that one,
That of so many myriads fall'n, yet one
Return'd not lost: On to the sacred hill
They led him high applauded, and present
Before the seat supreme; from whence a voice
From midst a golden cloud thus mild was heard.
Servant of God, well done, well hast thou fought
The better fight, who single hast maintain'd
Against revolted multitudes the cause
Of truth, in word mightier than they in arms;
And for the testimony of truth hast borne
Universal reproach, far worse to bear

CUSPIDE jucundæ lucis PERCUSSA renident

Arva.

And De Sphæra, lib. i. p. 123.
Cum [sit] FERIT Æthiopas radiorum

CUSPID.

See also, ibid. p. 116, 119, 130, 132. And in other places. And Fletcher of the sun, Purpl. Isl. xii. 25.

And with his arrowes th' idle fogge doth chase.

See note P. R. iv. 244. T. Warton.

19. -war in procinct,] The Roman soldiers were said to stand in procinctu, when ready to give the onset. Hume.

20

25

30

As if you should say ready girded, in allusion to the ancients, who just before the battle used to gird their garments close to them, which on other occasions they wore very loose. See Festus. Richardson.

29. Servant of God,] So the name of Abdiel signifies in Hebrew.

34. Universal reproach, far worse to bear Than violence ;] This sentiment is very just, and not unlike what Florus says in his character of Tarquin the Proud-in omnes superbia, quæ crudelitate gravior est bonis,

Than violence; for this was all thy care

To stand approv'd in sight of God, though worlds
Judg'd thee perverse: the easier conquest now
Remains thee, aided by this host of friends,
Back on thy foes more glorious to return
Than scorn'd thou didst depart, and to subdue
By force, who reason for their law refuse,
Right reason for their law, and for their King
Messiah, who by right of merit reigns.
Go Michael of celestial armies prince,
And thou in military prowess next
Gabriel, lead forth to battle these my sons
Invincible, lead forth my armed saints

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35

40.

45

41. reason for their law] Alluding to the word Ayos.

44. Go Michael of celestial armies prince,] As this battle of the angels is founded principally on Rev. xii. 7, 8. There was war in heaven; Michael and his angels fought against the Dragon, and the Dragon fought and his angels, and prevailed not, neither was their place found any more in heaven; Michael is rightly made by Milton the leader of the heavenly armies, and the name in Hebrew signifies the power of God. But it may be censured perhaps as a piece of wrong conduct in the poem, that the commission here given is not executed; they are ordered to drive the rebel angels out from God and bliss, but this is effected at last by the Messiah alone. Some reasons for it are assigned in the speech of God, ver. 680. and in that of the Messiah, ver. 801. in this book.

B b

By thousands and by millions rang'd for fight,
Equal in number to that godless crew

Rebellious; them with fire and hostile arms
Fearless assault, and to the brow of heaven
Pursuing drive them out from God and bliss
Into their place of punishment, the gulf
Of Tartarus, which ready opens wide
His fiery chaos to receive their fall.

So spake the sovran voice, and clouds began

To darken all the hill, and smoke to roll
In dusky wreaths, reluctant flames, the sign

Of wrath awak'd; nor with less dread the loud.
Ethereal trumpet from on high 'gan blow :
At which command the powers militant,
That stood for heav'n, in mighty quadrate join'd
Of union irresistible, mov'd on

49. Equal in number] As Satan was said to draw after him the third part of heav'n's host, v. 710. so God here sends another third part, equal in number, to pursue him; and the remaining third was probably reserved to attend upon duty about the sovran throne. See v. 655. Greenwood.

55. His fiery chaos] Chaos may mean any place of confusion; but if we take it strictly, Tartarus or Hell was built in Chaos (ii. 1002.) and therefore that part of it, being stored with fire, may not improperly be called a fiery chaos. Dr. Bentley's change of his into its, because which (not who) went before, proceeds upon a supposition that which is not to be re

50

55

60

ferred to a person; though it is well known that formerly which was as often applied to a person as who as Dr. Pearce observes. 56. —and clouds began

To darken all the hill, and

smoke to roll &c.] In this description the author manifestly alludes to that of God descending upon mount Sinai, Exod. xix. 16, &c. And it came to pass on the third day in the morning, that there were thunders, and lightnings, and a thick cloud upon the mount—and mount Sinai was altogether on a smoke, because the Lord descended upon it in fire.

58. reluctant flames,] As slow and unwilling to break forth,

Stupa vomens tardum fumum.
Virg. Æn. v. 682.

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