The Modern Study of Literature: An Introduction to Literary Theory and Interpretation |
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Page 168
... metaphor to the English language the idea of a ' hypocrite ' as a man who acts a part . This revolutionary step involves the bifurcation of stage and orchestra , the first for the actors , the second for the Chorus . Further development ...
... metaphor to the English language the idea of a ' hypocrite ' as a man who acts a part . This revolutionary step involves the bifurcation of stage and orchestra , the first for the actors , the second for the Chorus . Further development ...
Page 241
... metaphorical language , by saying that the reality is ' filtered ' or ' deodorized ' in passing through the mind of the artist . This at once ex- plains one of the great paradoxes of art : that disagreeable or unimportant reality can ...
... metaphorical language , by saying that the reality is ' filtered ' or ' deodorized ' in passing through the mind of the artist . This at once ex- plains one of the great paradoxes of art : that disagreeable or unimportant reality can ...
Page 263
... metaphor taken from the passive states of the body . This passive taste may serve for such things as ' proportion and congruity ' : it is wholly insufficient for the sublime and the pathetic . If pleasurable passion is to be aroused ...
... metaphor taken from the passive states of the body . This passive taste may serve for such things as ' proportion and congruity ' : it is wholly insufficient for the sublime and the pathetic . If pleasurable passion is to be aroused ...
Page 265
... metaphor , or a loose synonym for ' kind ' or ' variety ' ? The answer is , that Wordsworth's principle of taste can be applied so as to put clear content into the idea of a ' literary species . ' This application of the principle may ...
... metaphor , or a loose synonym for ' kind ' or ' variety ' ? The answer is , that Wordsworth's principle of taste can be applied so as to put clear content into the idea of a ' literary species . ' This application of the principle may ...
Page 277
... metaphorical instinct by which we half humanize the elements of nature , when we speak of the sighing of the wind , or the moan- ing of the waves upon the shore , or when we say that the earth opens its mouth and swallows up . Such half ...
... metaphorical instinct by which we half humanize the elements of nature , when we speak of the sighing of the wind , or the moan- ing of the waves upon the shore , or when we say that the earth opens its mouth and swallows up . Such half ...
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The Modern Study of Literature an Introduction to Literary Theory and ... Richard Green Moulton No preview available - 2019 |
Common terms and phrases
Aeneid analysis Ancient Classical Drama appears Aristophanes Aristotle Avenel beauty becomes Biblical blank verse chapter Chorus cism comedy Compare comparison conception creation creative literature criticism of interpretation discussion distinction echo elements epic poetry euphuism Euripides evolution evolutionary expression faculty Faerie Queene fallacy fiction Greek history of criticism Homer human Iliad imagery imagination incident inductive interest judicial criticism Kalevala kind language litera literary art literary form literary study literary theory lyric lyric poetry matter mediaeval metaphor Milton mode Modern Reader's Bible movement narration nature Odyssey Paradise Lost particular personages philosophy play plot poem poet poetic present principle prose prosody reader reality Renaissance Romantic seems seen Shakespeare as Artist Shakespeare as Thinker side simile spirit stage story study of literature subjective criticism suggests symbolism taste things thought tion traditional tragedy ture unity verse whole wisdom wisdom literature word Wordsworth World Literature
Popular passages
Page 11 - And Miriam the prophetess, the sister of Aaron, took a timbrel in her hand ; and all the women went out after her, with timbrels, and with dances. And Miriam answered them, Sing ye to the LORD, for he hath triumphed gloriously : the horse and his rider hath he thrown into the sea.
Page 416 - Yea, the sparrow hath found an house, and the swallow a nest for herself, where she may lay her young, even thine altars, O Lord of hosts, my King, and my God.
Page 67 - The voice of him that crieth in the wilderness, Prepare ye the way of the Lord, Make straight in the desert a highway for our God. Every valley shall be exalted, And every mountain and hill shall be made low: And the crooked shall be made straight, And the rough places plain: And the glory of the Lord shall be revealed, And all flesh shall see it together: For the mouth of the Lord hath spoken it.
Page 213 - Three poets in three distant ages born, Greece, Italy, and England did adorn; The first in loftiness of thought surpassed, The next in majesty; in both the last. The force of Nature could no further go, To make a third she joined the former two.
Page 481 - Hence, loathed Melancholy, Of Cerberus and blackest Midnight born In Stygian cave forlorn 'Mongst horrid shapes, and shrieks, and sights unholy ! Find out some uncouth cell, Where brooding Darkness spreads his jealous wings, And the night-raven sings ; There, under ebon shades and low-browed rocks, As ragged as thy locks, In dark Cimmerian desert ever dwell.
Page 419 - Now came still evening on, and twilight gray Had in her sober livery all things clad ; Silence accompanied ; for beast and bird, They to their grassy couch, these to their nests, Were slunk, all but the wakeful nightingale, She all night long her amorous descant sung...
Page 210 - There be three things which are too wonderful for me, yea, four which I know not: The way of an eagle in the air; the way of a serpent upon a rock; the way of a ship in the midst of the sea; and the way of a man with a maid.
Page 199 - Eagle screams, and passes by. 'Dear lost companions of my tuneful art, 'Dear, as the light that visits these sad eyes, 'Dear, as the ruddy drops that warm my heart, 'Ye died amidst your dying country's cries — 'No more I weep. They do not sleep. 'On yonder cliffs, a...
Page 344 - The true difference is that one relates what has happened, the other what may happen. Poetry, therefore, is a more philosophical and a higher thing than history: for poetry tends to express the universal, history the particular.
Page 426 - Reign thou over us. But the olive tree said unto them, Should I leave my fatness, wherewith by me they honour God and man, and go to be promoted over the trees ? And the trees said to the fig tree, Come thou, and reign over us.