prefaces biographical and crirical to the works of the english poets
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Addifon afterwards allowed appear attention beauties becauſe called cenfured character common confidered copies defign defire Dennis Dryden eafily edition Effay effect elegance employed English epitaph equally excellence expected faid fame father fault fays feems fhew fhould firft fome fometimes formed friendſhip fubject fuch fufficient fuppofed gave give given hands himſelf Homer honour hope hundred Iliad kind King knowledge known laft language learning Letters lines living Lord mean ment mention mind moft nature never notes numbers once opinion original paffages paffion performances perhaps poem poet poetry Pope Pope's powers praife praiſe prefent printed publick publiſhed readers reaſon received regard remarks Swift tell thefe things thofe thoſe thought tion told tranflation true ufed verfes verfion virtue volume whofe write written wrote
Page 268 - Pope had only a little, because Dryden had more ; for every other writer since Milton must give place to Pope ; and even of Dryden it must be said, that, if he has brighter paragraphs, he has not better poems.
Page 329 - After all this it is surely superfluous to answer the question that has once been asked, whether Pope was a poet? otherwise than by asking in return, if Pope be not a poet, where is poetry to be found?
Page 110 - Here he planted the vines and the quincunx which his verses mention; and being under the necessity of making a subterraneous passage to a garden on the other side of the road, he adorned it with fossile bodies, and dignified it with the title of a grotto; a place of silence and retreat, from which he endeavoured to persuade his friends and himself that cares and passions could be excluded.
Page 268 - Of genius, that power which constitutes a poet, that quality without which judgment is cold and knowledge is inert, that energy which collects, combines, amplifies, and animates, the superiority must, with some hesitation, be allowed to Dryden.
Page 269 - What his mind could supply at call, or gather in one excursion, was all that he sought, and all that he gave. The dilatory caution of Pope enabled him to condense his sentiments, to multiply his images, and to accumulate all that study might produce, or chance might supply.
Page 262 - He professed to have learned his poetry from Dryden, whom, whenever an opportunity was presented, he praised through his whole life with unvaried liberality; and perhaps his character may receive some illustration, if he be compared with his master.
Page 264 - ... none to himself. He examined lines and words with minute and punctilious observation, and retouched every part with indefatigable diligence, till he had left nothing to be forgiven.
Page 222 - His legs were so slender, that he enlarged their bulk with three pair of stockings, which were drawn on and off by the maid; for he was not able to dress or undress himself, and neither went to bed nor rose without help.
Page 267 - Pope in his local manners. The notions of Dryden were formed by comprehensive speculation, and those of Pope by minute attention. There is more dignity in the knowledge of Dryden, and more certainty in that of Pope. * Poetry was not the...
Page 9 - Who does not wish that Dryden could have known the value of the homage that was paid him, and foreseen the greatness of his young admirer ? The earliest of Pope's productions is his Ode on Solitude...