quity: if they will not be reduced to a consistency, Jay them all on a heap upon him. But be sure they are qualities which your patron would be thought to have; and to prevent any mistake which the world may be subject to, select from the alphabet those capital letters that compose his name, and set them at the head of a dedication before your poem. However, do not absolutely observe the exact quantity of these virtues, it not being determiad whether or no it be necessary for the Lero of a poem to be an honest man. --For the under-characters, gather them from Homer and Virgil, and change the names as occasion serves.

For the Machines.

Take of deities, male and female, as many as you can use. Separate them into two equal parts, and keep Jupiter in the middle. Let Juno put him in a ferment, and Venus mollify him, Remember on all Occasions to make use of volatile Mercury. If you have need of devils, draw them out of Milton's Paradise, and extract your spirits from Tasso. The use of these machines is evident; for, since no epic poem can possibly subsist without them, the wisest way is to reserve them for your greatest necessities. When you cannot extricate your hero by any human means, or yourself by your own wits, seek relief from heaven, and the gods will do your business very readily. This is according to the direct prescription of Horace in his Art of Poetry:

Nee Dens intersit, nisi dignus vindice nodus

Inciderit

That is to say, a poct should never call upon the gods for their assistance, but when he is in great perplexity.

For

For the Descriptions.

For a Tempest. Take Eurus, Zephyr, Auster, and Boreas, and cast them together in one verse. Add to these of rain, lightning, and of thunder (the loudest you can) quantum sufficit. Mix your clouds and billows well together till they foam, and thicken your description here and there with a quicksand. Brew your tempest well in your head before you set it ablowing,

For a Battle. Pick a large quantity of images and descriptions from Homer's Iliads, with a spice or two of Virgil, and if there remain any overplus you may lay them by for a skirmish. Season it well with similes, and it will make an excellent battle.

For a Burning Town. If such a description be necessary because it is certain there is one in Virgil, old Troy is ready burnt to your hands. But if you fear that would be thought borrowed, a chapter or two of the theory of the conflagration, well circumstanced, and done into verse, will be a good succedaneum.

As for similes and metaphors, they may be found all over the creation, the most ignorant may gather them, but the danger is in applying them. For this, advise with your bookseller.

For the Language.

(I mean the diction.) Here it will do well to be an imitator of Milton, for you will find it casier to imitate him in this than any thing else. Hebraisms and Grecisms are to be found in him without the trouble of

learning the languages. I knew a painter, who (like our poet) had no genius, make his daubings to be thought

thought originals by setting them in the smoke: you may in the same manner give the venerable air of antiquity to your piece by darkening it up and down with old English. With this you may be easily furnished upon any occasion, by the dictionary commonly printed at the end of Chaucer.

I must not conclude without cautioning all writers without genius in one material point, which is, never to be afraid of having too much fire in their works. I should advise rather to take their warmest thoughts, and spread them abroad upon paper; for they are observed to cool before they are read.

PRESUMING you may sometimes condescend to take coraizance of small enormities, There lay one before you, which I proceed to without further apology, as well knowing that the best compliment to a man busing is to come to the point.

There is a silly habit among many of our minor orators, whodi play their cloquence in the several coffeehouses of this fair city, to the no «mall annoyance of considerable numbe, of her majesty's spruce and loving subjects, and that is a humour they have got of twisting off your buttons. These ingenious gentlenen are not able to advance three words till they have got fast hold of one of your buttons; but as soon as they have procured such an excellent handle for discourse, they will indeed proceed with great clocution. I know not how well sone may have escaped, but for my part I have often met with them to my cost; having I believe within these three years last past been argued out of

several

Several dozens; insomuch that I have for some time ordered my tailor to bring me home with every suit a dozen at least of spare ones, to supply the place of such as from time to time are detached as a help to discourse, by the vehement gentlemen before mentioned. This way of holding a man in discourse is much practised in the coffee-houses within the city, and does not indeed so much prevail at the politer end of the town. It is likewise more frequently made use of among the small politicians than any other body of men; I am therefore something cautious of entering into a controversy with this species of statesmen, especially the younger fry; for, if you offer in the least to dissent from any thing that one of these advances, he immediately steps up to you, takes hold of one of your buttons, and indeed will soon convince you of the strength of his argumentation. I remember, upon the news of Dunkirk being delivered into our hands, a brisk little fellow, a politician and an able engineer, had got into the middle of Batson's coffee-house, and was fortifying Graveling, for the service of the most christian king, with all imaginable expedition. The work was carried on with such success, that in less than a quarter of an hour's time he had made it almost impregnable, and, in the opinion of several worthy citizens who had gathered round him, full as strong both by sea and land as Dunkirk ever could pretend to be. I happened, however, unadvisedly to attack some of his outworks; upon which, to show his great skill likewise in the offensive part, he immediately made an assault upon one of my buttons, and carried it in less than two minutes, notwithstanding I made as handsome a defence as was possible: he had likewise invested a second, and would certainly have been master of that too in a very

Litle time, had not he been diverted from this enter prise by the arrival of a courier, who brought advice that hus presence was absolutely necessary in the dis posal of a beaver; upon which he raised the siege, and indeed retired with some precipitation. In the coffeehouses here about the Temple you may harangue even among our dabblers in politics for about two buttons a day, and many times for less. I had yesterday the good fortune to receive very considerable additions to my knowledge in state affairs, and I find this morning that it has not stood me in above a button. In most of the eminent coffee-houses at the other end of the town, for example, to go no further than Will's in Covent Garden, the company is so refined, that you may hear and be heard, and not be a button the worse for it. Besides the gentleman before mentioned, there are others who are no less active in their harangues, but with genthe services rather than robberies. These, while they are improving your understanding, are at the san.d time setting off your person; they will new plait and adjust your neckcloth.

But though I can bear with this kind of orator, who is to humble as to aim at the good-will of his hearer by being his valet de chambre, I must rebel against another sort of them. There are some, sir, that do not stick to take a man by the collar when they have a mind to persuade him. It is your business, I humbly presume, Mr. Ironside, to interpose, that a man is not brought over to his opponent by force of arms. It were requisite therefore that you should name a certain interval, which ought to be preserved between the speaker and him to whom he speaks. For sure no man has a right, because I am not of his opinion, to take any of my clothes from me, or dress me according to his own

liking.