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liberty and property of the subject may be by them preserved with the same care as my own just rights. I promise to maintain the just rights, privileges and freedom of parliament." Upon coins dated 1642, and subsequent years, the reverse bears the inscription RELIG. PROT. LEG. ANG. LIBER. PARL, that is: The Protestant religion, the laws of England, the liberty of Parliament. Now Messrs. Owen and Blakeway remark that "Mr. Bushell (for the device seems to have been his own) thus not unhappily burlesquing the declaration of parliament, by stating the king to levy war against them in defence of their liberties, as they had taken up arms against him under pretence of defending his royal person. By comparing, however, the inscription upon the coins with the king's declaration at Wellington, it will be seen that the inscription is no burlesque of Bushell, but most seriously intended to convey to every place where the coin circulated, and to every person who possessed a piece of money, the three great principles upon which the king declared his firm determination to govern the kingdom. The king's declaration and the inscription on the coin are identical.

As this declaration was made on the 19th September, 1642, it may fairly be concluded that the coins asserting the same principles were struck very much about the same time, and consequently we may expect to find this inscription upon coins struck at Shrewsbury. It is quite certain that the mint was removed from this town about the last day of December this same year, and consequently no coins can have been struck here which bear any other date than 1642. Messrs. Owen and Blakeway observe, "All Charles's pieces with the Prince's feathers, the above reverse, and the date 1642, can have been struck no where but at Shrewsbury." While these gentlemen were penning this paragraph they unfortunately forgot that the year was not at that time calculated to terminate with the 31st December, but with the 25th March, and that consequently coins struck during the first three months of the year, which we call 1643, would bear the date 1642, exactly as those struck during what we call the last three months of the year 1642; and as the mint was established at Oxford, 3 January, 1642-3, the date upon the coins does not determine the claim of either place to coins dated 1642. We must look then for some other clue to guide us in appropriating to Shrewsbury its proper coins.

There is not any distinctive mint-mark, nor any letters which distinguish the Shrewsbury coins. Chester coins have the city arms, the wheatsheaf; Worcester coins have the pears; Exeter, Oxford, Bristol, York have the initials or names, but Shrewsbury nothing. Still there are peculiarities about some of the coins of this period which furnish grounds for reasonable conjecture. From Aberystwith the mint moved to Shrewsbury, and Aberystwith coins have their distinguishing mark, viz., the Prince's plume, as ordered by the indenture which established that mint, and the open book which was Bushell's private mark. Now there is in the British Museum a half-crown which bears the feathers upon the obverse, and the horse is somewhat of the Aberystwith form. The reverse of this coin has the declaration, inscription, and the date 1642; it cannot, therefore, be unreasonable to assign this coin to Shrewsbury. The same reasoning applies in a somewhat greater degree to a shilling in the same collection, the reverse of which has the date 1642, the declaration, inscription, and the feathers.

This argument, however plausible, is not absolutely irresistible, for the sixpences and groats have the Aberystwith obverse with the plume and book, with the declaration type, and with the dates 1643 and 1644, and also with the letters ox for Oxford; so that we have convincing proof that upon some coins the Aberystwith marks were continued not only immediately, but for some years, after the mint had been removed from that place.

We have, however, some further evidence to adduce respecting Shrewsbury coins which will, to a certain extent, confirm the appropriation of certain coins to Shrewsbury made by Messrs. Owen and Blakeway, but upon other grounds.

In the year 1664, Bushell, in a letter addressed to the Lord Treasurer Ashley, says, "I procured such quantities of plate from persons of quality at Shrewsbury, for the more magnificense of his Majesties present service in that expedition, as the sight of it stopt the present meeting of the souldery, when the adverse part had plotted a division for want of pay.

"And in order to their further content, I procured two daies before Edehill Battle, of his late Majesty at Wodverhampton, a gratious gift of his affection; to each colonel the

VOL. XIII.

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medal of a 20s. piece in silver, all other officers, ten or five, and every private souldier half-a-crown, with this motto on the reverse cross:

Exurgat Deus dissipentur inimici
Relig. protest: Leg.

Ang: Libert. Parliament.

which pleased every regiment so much, coming from his Majesty's bounty (of blessed memory), as if they had received their whole arrears from their paymaster-general.

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The battle of Edgehill was fought in October, 1642, at which time the mint was at Shrewsbury, and had been there ever since the adoption of the declaration type which appears upon these coins. It is quite certain, therefore, that some of the pound, half-pound, crown, and half-crown pieces, with the declaration type and the date 1642, were struck at Shrewsbury. We are not allowed to go so far as to state that all such pieces of this date were struck there, as we have already seen that Oxford has equal claims to that date. And there are some remarkable peculiarities on some of these pieces which prove that they must have been struck in that city.

There is a pound piece dated 1643, which could not have been struck at Shrewsbury; it was, however, struck from the same dies as a piece dated 1642, the figure 3 having been stampt in the die over the 2, so that both figures are apparent upon the coin. This die may have been used at Shrewsbury, but it was clearly afterwards used at Oxford.

Some of the half-pound pieces dated 1643, are used with the same obverse as some of those with the date 1642.

Such is also the case with some of the crown pieces, where the same obverse occurs upon pieces with reverses of different dates.

Soon after the mint was established at Shrewsbury, a different artist from the one who had engraved the dies at Aberystwith was probably employed, for the style, character, and workmanship of the figure of the king on horseback is conspicuously unlike what had previously appeared upon any of the king's coins. This peculiar figure occurs upon coins dated 1642, 3, 4, 5, 6, and consequently increases our difficulty of identifying the coins with any particular place. The mint was removed from Shrewsbury to Oxford in 1642,

according to the calendar of those times, consequently both those places have equal claims to coins so dated. In 1643, part of the mint was removed to Bristol, and the Bristol coins have the same peculiar horse, consequently this city and Oxford have equal claims to coins dated 1643. In the latter part of this year these two cities stampt their initials on their coins, and Oxford employing a different artist, adopted a different character of horse.

All then that we have been able to ascertain is, that some of the pound, half-pound, crown, and half-crown pieces dated 1642, were struck at Shrewsbury, but which of them we have not any means of ascertaining.

I fear, then, that we have arrived at the conclusion of a chapter in which nothing is concluded.

CONTINUATION OF ARTISTIC NOTES ON THE WINDOWS OF KING'S COLLEGE CHAPEL, CAMBRIDGE.

In the drapery and style of the angels supporting shields that appear in the upper lights of all the side windows, we find indications of the XVth rather than the XVIth century.3 These angels, represented hovering in the air, are clothed in full white robes which entirely conceal the limbs and feet, and are disposed in large elaborately bent folds peculiar to German and Flemish art of the XVth century. There are no figures at all in the tracery lights of the east window.

3 Mr. Winston expresses his suspicion that the glass in the tracery lights of the side-windows is somewhat earlier than that in the lower lights. This favours the opinion of Mr. Bolton, who very justly perceived a uniformity of style and execution throughout all the headings on both sides; and from practical considerations was led to infer, that the entire uppermost range of glass was inserted before the scaffoldings for the stonework were removed. Be that as it may, they certainly accord in style and peculiarities with the windows containing the history of the Virgin Mary. The initial letters on the shields HR, H.E, and H.K, clearly refer to Henry VII. and Elizabeth of York, and Henry VIII. and Catherine of Aragon, and must have been designed before the king's divorce was seriously entertained. The allusions to Henry VII. would not have been necessarily confined to his lifetime, as we see by the picture of Henry VIII. and Jane Seymour, together with full-length figures of his parents, painted by Holbein in 1536-7, on the wall of the Privy Chamber at Whitehall A copy of it by Remée is still preserved at Hampton Court.

But the question of the validity of Henry's marriage was not made public till 1527, four years before his actual separation from the queen, and the devices might, for that consideration only, well belong to the date of the second contract, 1526.

In the upper lights of the east window among the devices of roses, trees, and

4

crowns, may be found the feather and label borne by the Prince of Wales. It occurs on each side of the window between roses, and next to the crown. From this circumstance an earlier date might be assigned, since upon the death of Prince Arthur in 1502, the king invested his son Henry with the principality of Wales, and by sanction of Pope Julius, married him in 1503 to Catherine, his brother's widow. That same year his mother, Elizabeth of York, died. We mightthus have had an approximate date of 1503, for the execution of the devices and completion of the stonework of the windows; but unfortunately the initials HK in the next light are surmounted with a crown.

4 Such an arrangement is to be seen in the famous "Last Judgment" at Danzig, in the works of Van Eyck, in the tapestry of St. Mary's Hall, Coventry, the engravings of Martin Schön, the woodcuts in the Nuremberg Chronicle, and in a curious painting, once at Strawberry Hill, now belonging to Lord Waldegrave.a

This blankety encumbrance of the legs and feet is characteristic of transalpine art, a natural association with a more severe climate; for in Italy, even where the feet are concealed, it is with drapery of a more delicate nature. In ancient classic art, the feet of flying

a Mrs. Jameson's Legends of the Madonna, p. 73; Walpole's Anecdotes of Painting, ed. 1798.

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