Romantic Landscape Vision: Constable and Wordsworth |
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Page 42
Karl Kroeber. of natural life : the peace and serenity they find in nature depends on the unfailing lawfulness of her vitality . But does not nature betray that part of man which is distinct from her ? For Wordsworth , nature is no ...
Karl Kroeber. of natural life : the peace and serenity they find in nature depends on the unfailing lawfulness of her vitality . But does not nature betray that part of man which is distinct from her ? For Wordsworth , nature is no ...
Page 111
... nature and paint . 4 Perhaps Constable's painting might be compared to farming , which is a shaping of the natural world . A farmer who does not understand nature will plant crops in poor soil , pasture sheep in the wrong field ...
... nature and paint . 4 Perhaps Constable's painting might be compared to farming , which is a shaping of the natural world . A farmer who does not understand nature will plant crops in poor soil , pasture sheep in the wrong field ...
Page 112
... nature by developing a penetrating understanding of nature's inmost truth , was more successful in doing justice to both nature and art because he more daringly revolutionized painting techniques . Constable , technically more ...
... nature by developing a penetrating understanding of nature's inmost truth , was more successful in doing justice to both nature and art because he more daringly revolutionized painting techniques . Constable , technically more ...
Contents
Tintern Abbey and The Cornfield | 29 |
Peele Castle and Hadleigh Castle | 44 |
Constable and Graphic Landscape | 61 |
Copyright | |
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Common terms and phrases
aesthetic analogous artists awareness Beaumont's century Chaucer's chiaroscuro classical Claude Claude's clouds color consciousness Constable and Wordsworth Constable's Constable's art contrast Cornfield critics Dedham Vale Denham's earlier embody Ernest de Selincourt evoke example experience fashion feeling foreground Grasmere Hadleigh Castle Haywain Home at Grasmere human imaginative impression interaction John Constable Kenneth Clark landscape art landscape painting landscape poetry landscapists later light lines literary London M. H. Abrams man's Milton mind mode natural scene natural world never objects painter Paradise passage pattern Peele Castle perceive perception picture picturesque poem poem's poet poet's poetic Pope's Poussin Prelude reader relation represent rhythms Romantic Romanticism Rosa Ruskin scape Seasons sensation sense sight significant Snowdon specific spots sublimity suggested temporal texture things Thomson's Tintern Abbey tion trees ture turization Turner unique unity Ut Pictura Poesis Vale vision visual vital William Wordsworth Windsor Forest Words Wordsworth and Constable worth's