Romantic Landscape Vision: Constable and Wordsworth |
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Page 9
... example , between Con- stable's paintings of Sir George Beaumont's cenotaph and Words- worth's several Coleorton poems . Nor do I dwell on either's com- ments about his own work or about the other arts . I begin with a 8. Analogous to ...
... example , between Con- stable's paintings of Sir George Beaumont's cenotaph and Words- worth's several Coleorton poems . Nor do I dwell on either's com- ments about his own work or about the other arts . I begin with a 8. Analogous to ...
Page 34
... example , to say what The Cornfield is a picture of . In part the difficulty arises from Constable's diffu- sion of focus : no one element dominates others . The boy drinking and the bright cornfield are equal but unalike foci of visual ...
... example , to say what The Cornfield is a picture of . In part the difficulty arises from Constable's diffu- sion of focus : no one element dominates others . The boy drinking and the bright cornfield are equal but unalike foci of visual ...
Page 93
... example , as it is my theme ! Though deep , yet clear , though gentle , yet not dull , Strong without rage , without ore - flowing full . ( 11. 189-92 ) The lines could describe Wordsworth's poetic ideal . The river can be both Denham's ...
... example , as it is my theme ! Though deep , yet clear , though gentle , yet not dull , Strong without rage , without ore - flowing full . ( 11. 189-92 ) The lines could describe Wordsworth's poetic ideal . The river can be both Denham's ...
Contents
Tintern Abbey and The Cornfield | 29 |
Peele Castle and Hadleigh Castle | 44 |
Constable and Graphic Landscape | 61 |
Copyright | |
2 other sections not shown
Common terms and phrases
aesthetic analogous artists awareness Beaumont's century Chaucer's chiaroscuro classical Claude Claude's clouds color consciousness Constable and Wordsworth Constable's Constable's art contrast Cornfield critics Dedham Vale Denham's earlier embody Ernest de Selincourt evoke example experience fashion feeling foreground Grasmere Hadleigh Castle Haywain Home at Grasmere human imaginative impression interaction John Constable Kenneth Clark landscape art landscape painting landscape poetry landscapists later light lines literary London M. H. Abrams man's Milton mind mode natural scene natural world never objects painter Paradise passage pattern Peele Castle perceive perception picture picturesque poem poem's poet poet's poetic Pope's Poussin Prelude reader relation represent rhythms Romantic Romanticism Rosa Ruskin scape Seasons sensation sense sight significant Snowdon specific spots sublimity suggested temporal texture things Thomson's Tintern Abbey tion trees ture turization Turner unique unity Ut Pictura Poesis Vale vision visual vital William Wordsworth Windsor Forest Words Wordsworth and Constable worth's