Romantic Landscape Vision: Constable and Wordsworth

actual aesthetic appears artists awareness become century chapter classical Claude clouds color complex connection consciousness Constable Constable's continuity contrast Cornfield create critics earlier effect elements embody English event example experience fact fashion feeling final force foreground function Hadleigh Castle Haywain human imaginative important impression individual interaction interest John land landscape language later less light lines literary living London look man's matter meaning memory merely mind mode nature never objects observed original painter painting passage pattern Peele Castle perceive perception perhaps picture picturesque poem poet poet's poetic poetry Poussin Prelude present processes provides reader references relation represent reveals Romantic scene Seasons seems sensation sense shapes sight significant sound specific structure sublimity suggested temporal things Thomson's Tintern Abbey tion trees ture understand unique unity vision visual vital Wordsworth York