Works, Volume 25D. Estes, 1989 |
From inside the book
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Page 120
... close , — that every one of these types of undulated structure has been produced by crystallization only , and absolutely without com- pression or violence . But the transition from the contorted gneiss which has been formed by ...
... close , — that every one of these types of undulated structure has been produced by crystallization only , and absolutely without com- pression or violence . But the transition from the contorted gneiss which has been formed by ...
Page 153
... close of the preceding chapter , is the ascertaining as far as possible what the proper effect of the natural beauty of differ- ent objects ought to be on the human mind , and the degree in which this nature of theirs , and true ...
... close of the preceding chapter , is the ascertaining as far as possible what the proper effect of the natural beauty of differ- ent objects ought to be on the human mind , and the degree in which this nature of theirs , and true ...
Page 306
... close the first hundred of the frames here permanently catalogued . 31. Three early sketches at Clifton , when he was twelve or thirteen years old . He went on for several years working thus in pencil and color ; then saw the necessity ...
... close the first hundred of the frames here permanently catalogued . 31. Three early sketches at Clifton , when he was twelve or thirteen years old . He went on for several years working thus in pencil and color ; then saw the necessity ...
Contents
IN MONTIBUS SANCTIS STUDIES OF MOUNTAIN FORM AND | 107 |
5 | 116 |
COELI ENARRANT | 149 |
4 other sections not shown
Common terms and phrases
Abbeville Academy agate architecture artist beautiful better birds blue Brantwood Bridge Calais Carpaccio chalcedony character chiaroscuro church clouds color Coniston crystallization dark dear delightful Deucalion Diddie drawing Ducal Palace earth English enjoy entirely feel finished flowers give glutenite going gray happy heart Heaven HERNE HILL hills Honfleur hope interest Joanie JOHN RUSKIN Lake Lucerne landscape least less light look lovely Madonna manner Mark's Martigny means mind Modern Painters morning mountains nature never nice once painting Paul Veronese pencil perfect picture piece pleasure present pretty Proserpina Prout quartz reader rocks Rome Rouen Ruskin Scotland sculpture seen sketches stalactites stone Strasburg substance suppose Susie tell things thought Tintoret tion Titian to-day tower true Turner Venetian Venice water-color wonderful write