An Abridgment of Lectures on Rhetoric |
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Page 5
... Introduc- tion , Division , Narration , and Explication The Argumentative Part of a Discourse , the Pa- thetic Part , and the Peroration 158 165 170 Means of Improving in Eloquence Comparative Merit of the Ancients 1 *
... Introduc- tion , Division , Narration , and Explication The Argumentative Part of a Discourse , the Pa- thetic Part , and the Peroration 158 165 170 Means of Improving in Eloquence Comparative Merit of the Ancients 1 *
Page 6
Hugh Blair. Means of Improving in Eloquence Comparative Merit of the Ancients and Moderns 187 Historical Writing Philosophical Writing and Dialogue Epistolary Writing 180 190 194 196 Fictitious History Nature of Poetry - Its Origin and ...
Hugh Blair. Means of Improving in Eloquence Comparative Merit of the Ancients and Moderns 187 Historical Writing Philosophical Writing and Dialogue Epistolary Writing 180 190 194 196 Fictitious History Nature of Poetry - Its Origin and ...
Page 30
... mean , or even to the gay or trifling , changes the tone of the emotion . What is commonly called the sublime style , is for the most part a very bad one , and has no re- lation whatever to the true sublime . Writers are apt to imagine ...
... mean , or even to the gay or trifling , changes the tone of the emotion . What is commonly called the sublime style , is for the most part a very bad one , and has no re- lation whatever to the true sublime . Writers are apt to imagine ...
Page 31
... mean con- ception of it ; or by a weak , low , or puerile des- cription of it . This betrays entire absence , or , at least , extreme poverty of genius . The bom- bast lies in forcing a common or trivial object out of its rank , and in ...
... mean con- ception of it ; or by a weak , low , or puerile des- cription of it . This betrays entire absence , or , at least , extreme poverty of genius . The bom- bast lies in forcing a common or trivial object out of its rank , and in ...
Page 39
... means of producing the same end ; and consequently make different impressions on the mind . ORIGIN AND PROGRESS OF LANGUAGE . To form an adequate idea of the origin of lan- guage , we must contemplate the circumstances of mankind in ...
... means of producing the same end ; and consequently make different impressions on the mind . ORIGIN AND PROGRESS OF LANGUAGE . To form an adequate idea of the origin of lan- guage , we must contemplate the circumstances of mankind in ...
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action admit Æneid agreeable ancient appear arguments attention beauty blank verse characters Cicero circumstances comedy composition concise criticism degree Demosthenes dignity discourse distinction distinguished effect elegant eloquence emotion employed Eneid English epic poem epic poetry excel excite exhibit express fancy figure founded French frequently genius give grace grandeur Greek hearers Hence Henriade Homer human ideas Iliad imagination imitation instance ject kind language Livy Lusiad lyric poetry manner ment merit metaphor mind mode modern moral motion narration nature never objects observed orator ornament Paradise Lost passion pastoral pathetic pause peculiar perspicuity Pharsalia pleasing pleasures of taste poet poetical principal proper propriety prose public speaking render requisite resemblance rule scene sense sentence sentiments simplicity sion sound speaker species speech spirit strength strong style sublime syllable Tacitus tence theatre of France thing thought tion tragedy tropes unity variety verse Virgil words writing
Popular passages
Page 272 - States entitled an act for the encouragement of learning hy securing the copies of maps, charts and books to the author., and proprietors of such copies during the times therein mentioned, and also to an act entitled an act supplementary to an act, entitled an act for the encouragement of learning by securing the copies of maps, charts and books to the authors and proprietors of such copies during the times therein mentioned and extending the benefits thereof to the arts of designing, engraving and...
Page 201 - Favours to none, to all she smiles extends ; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike.
Page 27 - Their dread commander ; he above the rest, In shape and gesture proudly eminent, Stood like a tower : his form had not yet lost All her original brightness ; nor appear'd Less than arch-angel ruin'd, and th...
Page 24 - Thus saith the Lord, thy redeemer, and he that formed thee from the womb, I am the Lord that maketh all things; that stretcheth forth the heavens alone; that spreadeth abroad the earth by myself...
Page 214 - Swinging slow with sullen roar; Or if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom, Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm.
Page 24 - He made darkness his secret place; his pavilion round about him were dark waters and thick clouds of the skies.
Page 101 - O unexpected stroke, worse than of death ! Must I thus leave thee, Paradise ? thus leave Thee, native soil! these happy walks and shades, Fit haunt of gods ? where I had hope to spend, Quiet though sad, the respite of that day That must be mortal to us both.
Page 21 - Look then abroad through Nature, to the range Of planets, suns, and adamantine spheres, Wheeling unshaken through the void immense...
Page 98 - Me miserable ! which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell; And, in the lowest deep, a lower deep Still threatening to devour me opens wide, To which the Hell I suffer seems a Heaven.
Page 125 - It is this sense which furnishes the imagination with its ideas; so that by the pleasures of the imagination or fancy (which I shall use promiscuously) I here mean such as arise from visible objects, either when we have them actually in our view or when we call up their ideas into our minds by paintings, statues, descriptions, or any the like occasion.