An Abridgment of Lectures on Rhetoric |
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Page 12
... admits no criterion for determining , whether it be true or false . Its foundation is the same in every human mind . It is built sentiments and perceptions , which are insepera- ble from our nature ; and which generally ope- rate with ...
... admits no criterion for determining , whether it be true or false . Its foundation is the same in every human mind . It is built sentiments and perceptions , which are insepera- ble from our nature ; and which generally ope- rate with ...
Page 28
... admits no mediocrity , and cannot subsist in a middle state ; but must either highly transport us ; or , if unsuccessful in the execution , leave us exceedingly disgusted . We attempt to rise with the writer ; the imag- 28 Sublimity in ...
... admits no mediocrity , and cannot subsist in a middle state ; but must either highly transport us ; or , if unsuccessful in the execution , leave us exceedingly disgusted . We attempt to rise with the writer ; the imag- 28 Sublimity in ...
Page 31
... admits longer duration . It extends also to a much greater va- riety of objects than sublimity ; to a variety in- deed so great , that the sensations which beauti- fal objects excite , differ exceedingly , not in de- gree only , but ...
... admits longer duration . It extends also to a much greater va- riety of objects than sublimity ; to a variety in- deed so great , that the sensations which beauti- fal objects excite , differ exceedingly , not in de- gree only , but ...
Page 58
... admits no variety ; " I am , " " sum . " But it is not so with the past . Even the poorest language has two or three ten- ses to express its varieties . Ours has four . A past action may be represented as unfinished , by the imperfect ...
... admits no variety ; " I am , " " sum . " But it is not so with the past . Even the poorest language has two or three ten- ses to express its varieties . Ours has four . A past action may be represented as unfinished , by the imperfect ...
Page 59
... admit the distinction of voices , viz . the active and passive ; as , I love , or I am loved . " They admit also the distinction of modes , which are intended to express the per- ceptions and volitions of the mind under different forms ...
... admit the distinction of voices , viz . the active and passive ; as , I love , or I am loved . " They admit also the distinction of modes , which are intended to express the per- ceptions and volitions of the mind under different forms ...
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Common terms and phrases
action admit Æneid agreeable ancient appear arguments attention beauty blank verse characters Cicero circumstances comedy composition concise criticism degree Demosthenes dignity discourse distinction distinguished effect elegant eloquence emotion employed Eneid English epic poem epic poetry excel excite exhibit express fancy figure founded French frequently genius give grace grandeur Greek hearers Hence Henriade Homer human ideas Iliad imagination imitation instance ject kind language Livy Lusiad lyric poetry manner ment merit metaphor mind mode modern moral motion narration nature never objects observed orator ornament Paradise Lost passion pastoral pathetic pause peculiar perspicuity Pharsalia pleasing pleasures of taste poet poetical principal proper propriety prose public speaking render requisite resemblance rule scene sense sentence sentiments simplicity sion sound speaker species speech spirit strength strong style sublime syllable Tacitus tence theatre of France thing thought tion tragedy tropes unity variety verse Virgil words writing
Popular passages
Page 272 - States entitled an act for the encouragement of learning hy securing the copies of maps, charts and books to the author., and proprietors of such copies during the times therein mentioned, and also to an act entitled an act supplementary to an act, entitled an act for the encouragement of learning by securing the copies of maps, charts and books to the authors and proprietors of such copies during the times therein mentioned and extending the benefits thereof to the arts of designing, engraving and...
Page 201 - Favours to none, to all she smiles extends ; Oft she rejects, but never once offends. Bright as the sun, her eyes the gazers strike, And, like the sun, they shine on all alike.
Page 27 - Their dread commander ; he above the rest, In shape and gesture proudly eminent, Stood like a tower : his form had not yet lost All her original brightness ; nor appear'd Less than arch-angel ruin'd, and th...
Page 24 - Thus saith the Lord, thy redeemer, and he that formed thee from the womb, I am the Lord that maketh all things; that stretcheth forth the heavens alone; that spreadeth abroad the earth by myself...
Page 214 - Swinging slow with sullen roar; Or if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom, Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm.
Page 24 - He made darkness his secret place; his pavilion round about him were dark waters and thick clouds of the skies.
Page 101 - O unexpected stroke, worse than of death ! Must I thus leave thee, Paradise ? thus leave Thee, native soil! these happy walks and shades, Fit haunt of gods ? where I had hope to spend, Quiet though sad, the respite of that day That must be mortal to us both.
Page 21 - Look then abroad through Nature, to the range Of planets, suns, and adamantine spheres, Wheeling unshaken through the void immense...
Page 98 - Me miserable ! which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell; And, in the lowest deep, a lower deep Still threatening to devour me opens wide, To which the Hell I suffer seems a Heaven.
Page 125 - It is this sense which furnishes the imagination with its ideas; so that by the pleasures of the imagination or fancy (which I shall use promiscuously) I here mean such as arise from visible objects, either when we have them actually in our view or when we call up their ideas into our minds by paintings, statues, descriptions, or any the like occasion.