The Spectator. Volume the First. [-eighth.].J. and R. Tonson in the Strand., 1744 |
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Page 79
... feems great and magnificent , and the other poor and tri- fing ; the Reafon is fine and uncommon . Ifay then , that to introduce into Architecture this Grandeur of Manner , we ought fo to proceed , that the Divifion of the Principal Mem ...
... feems great and magnificent , and the other poor and tri- fing ; the Reafon is fine and uncommon . Ifay then , that to introduce into Architecture this Grandeur of Manner , we ought fo to proceed , that the Divifion of the Principal Mem ...
Page 233
... feems to be ⚫ the well choofing , mixing , and binding together these Flowers in pleafing Nofegays to prefent to Ladies . The Scent of Italian Flowers is obferved , like their ' other Perfumes , to be too ftrong , and to hurt the Brain ...
... feems to be ⚫ the well choofing , mixing , and binding together these Flowers in pleafing Nofegays to prefent to Ladies . The Scent of Italian Flowers is obferved , like their ' other Perfumes , to be too ftrong , and to hurt the Brain ...
Page 267
... feems originally defigned as a Satire upon the Rich , though , in fome Parts of it , ' tis like the foregoing Difcourfe , a kind of Comparison between Wealth and Poverty . CHREMYLUS , who was an old and a good Man , and withal exceeding ...
... feems originally defigned as a Satire upon the Rich , though , in fome Parts of it , ' tis like the foregoing Difcourfe , a kind of Comparison between Wealth and Poverty . CHREMYLUS , who was an old and a good Man , and withal exceeding ...
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againſt agreeable alfo appear arife Beauty becauſe beſt Bufinefs caft Caufe confider Confideration Converfation Cuſtom defcribe Defcription Defign defire delight Difcourfe diſcover eafy Entertainment Eyes faid fame Fancy fecret feems feen felf felves fent ferve feveral fhall fhew fhort fhould fince firft firſt fome fomething fometimes fpeak Friend ftand ftill fuch fure give good-natur'd greateſt Happineſs Heart himſelf humble Servant Humour Imagination juft Juftice kind Lady laft lefs loft look Love manner Mind moft moſt muft muſt Nature neceffary never Number obferved Objects Occafion Ovid paffed Paffions Paper Perfons pleafing pleaſed Pleaſure Poet poffible prefent Publick Purpoſe racter raifed raiſe Reader Reaſon Reflexion Refpect reprefented rife Sempronia Senfe ſeveral ſhall ſhe Sight Soul ſpeak SPECTATOR Tafte thefe themſelves theſe thing thofe thoſe thought tion Underſtanding uſed Virtue whofe whole Words World Writing