The Spectator. Volume the First. [-eighth.].J. and R. Tonson in the Strand., 1744 |
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Page 81
... Eye , in Colour and in Frame . CREECH . At first divided the Pleasures of the Imagination into fuch as arise from Objects that are actually before our Eyes , or that once entered in at our Eyes , and are af- terwards called up into the ...
... Eye , in Colour and in Frame . CREECH . At first divided the Pleasures of the Imagination into fuch as arise from Objects that are actually before our Eyes , or that once entered in at our Eyes , and are af- terwards called up into the ...
Page 159
... Eyes and ready Limbs ; but Miller's Heat laid him open to the Rebuke of the calm Buck , by a large Cut on the Forehead . Much Effufion of Blood covered his Eyes in a Moment , and the Huzzas of the Crowd undoubtedly quickened the Anguish ...
... Eyes and ready Limbs ; but Miller's Heat laid him open to the Rebuke of the calm Buck , by a large Cut on the Forehead . Much Effufion of Blood covered his Eyes in a Moment , and the Huzzas of the Crowd undoubtedly quickened the Anguish ...
Page 188
... Eye in the Emperor's Service . His Patients come in upon this , and he fhews the Mufter - Roll , which con- firms that he was in his Imperial Majefty's Troops ; and he puts out their Eyes with great Succefs . Who would believe that a ...
... Eye in the Emperor's Service . His Patients come in upon this , and he fhews the Mufter - Roll , which con- firms that he was in his Imperial Majefty's Troops ; and he puts out their Eyes with great Succefs . Who would believe that a ...
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againſt agreeable alfo appear arife Beauty becauſe beſt Bufinefs caft Caufe confider Confideration Converfation Cuſtom defcribe Defcription Defign defire delight Difcourfe diſcover eafy Entertainment Eyes faid fame Fancy fecret feems feen felf felves fent ferve feveral fhall fhew fhort fhould fince firft firſt fome fomething fometimes fpeak Friend ftand ftill fuch fure give good-natur'd greateſt Happineſs Heart himſelf humble Servant Humour Imagination juft Juftice kind Lady laft lefs loft look Love manner Mind moft moſt muft muſt Nature neceffary never Number obferved Objects Occafion Ovid paffed Paffions Paper Perfons pleafing pleaſed Pleaſure Poet poffible prefent Publick Purpoſe racter raifed raiſe Reader Reaſon Reflexion Refpect reprefented rife Sempronia Senfe ſeveral ſhall ſhe Sight Soul ſpeak SPECTATOR Tafte thefe themſelves theſe thing thofe thoſe thought tion Underſtanding uſed Virtue whofe whole Words World Writing