Romanticism and Religion from William Cowper to Wallace StevensCovering the entire field of Romanticism from its eighteenth-century origins in the writing of William Cowper to late-twentieth-century manifestations in the work of Wallace Stevens, this collection is an original and much-needed intervention in Romantic studies, bringing together the contextual awareness of recent historicist scholarship with the newly awakened interest in matters of form and an appreciation of the challenges of postmodern theory. |
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Contents
Approaching the Unapproached Light Milton and the Romantic Visionary | 25 |
Cowper Prospects Self Nature Society | 41 |
Je sais bien mais quand même Wordsworths Faithful Scepticism | 57 |
Catholic Contagion Southey Coleridge and English Romantic Anxieties | 75 |
Sacrifice and Offering Thou Didst Not Desire Byron and Atonement | 93 |
I was Bred a Moderate Presbyterian Byron Thomas Chalmers and the Scottish Religious Heritage | 107 |
Byrons Confessional Pilgrimage | 121 |
Words and the Word The Diction of Don Juan | 137 |
Byrons Monky Business Ghostly Closure and Comic Continuity | 167 |
A Fine Excess Hopkins Keats and the Gratuity of Grace | 181 |
Until Death Tramples It to Fragments Percy Bysshe Shelley after Postmodern Theology | 191 |
Sacred Art and Profane Poets | 207 |
The Death of Satan Stevenss Esthetique du Mal Evil and the Romantic Imagination | 223 |
237 | |
255 | |
Why Should I Speak? Scepticism and the Voice of Poetry in Byrons Cain | 155 |
Other editions - View all
Romanticism and Religion from William Cowper to Wallace Stevens Dr Gavin Hopps,Dr Jane Stabler Limited preview - 2013 |
Common terms and phrases
angels appears approach argues attempt become belief Book Byron Cain called Cambridge Catholic Catholicism Chalmers chapter Childe Christian Church claim close Coleridge Complete concerned confession Cowper criticism death describes divine Don Juan English essay evil example existence experience expression fact faith fall feeling figure final fragments grace hand Harold heaven human imagination interest Italy John Keats kind language less Letters light lines London look Lost matter meaning Milton mind moral nature notes offers once opening Oxford perhaps philosophy play poem poet poetic poetry political possible postmodern present question reader reading references relation relationship religion religious represents response Romantic Romanticism scepticism secular seems seen sense Shelley Shelley's Southey speak spirit Stevens suffering suggests theological things Thomas thought tradition truth turn University Press vision vols Wordsworth writing
Popular passages
Page 12 - And what if all of animated nature Be but organic harps diversely framed, That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual breeze, At once the Soul of each, and God of all?