Romanticism and Religion from William Cowper to Wallace StevensGavin Hopps, Jane Stabler Covering the entire field of Romanticism from its eighteenth-century origins in the writing of William Cowper to late-twentieth-century manifestations in the work of Wallace Stevens, this collection is an original and much-needed intervention in Romantic studies, bringing together the contextual awareness of recent historicist scholarship with the newly awakened interest in matters of form and an appreciation of the challenges of postmodern theory. |
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... John Clubbe Coleridge , Form and Symbol : Or The Ascertaining Vision Nicholas Reid New Essays on Maria Edgeworth Edited by Julie Nash Romanticism : Comparative Discourses Edited by Larry H. Peer and Diane Long Hoeveler ROMANTICISM AND ...
... John Clubbe Coleridge , Form and Symbol : Or The Ascertaining Vision Nicholas Reid New Essays on Maria Edgeworth Edited by Julie Nash Romanticism : Comparative Discourses Edited by Larry H. Peer and Diane Long Hoeveler ROMANTICISM AND ...
Page 2
... John Donne observes in another connection , ' the furthest west is east'.4 Something similar may be said of the ' death of God ' . Even if we leave aside the ambiguities of Nietzsche's own position , it has for a long time been apparent ...
... John Donne observes in another connection , ' the furthest west is east'.4 Something similar may be said of the ' death of God ' . Even if we leave aside the ambiguities of Nietzsche's own position , it has for a long time been apparent ...
Page 11
... John Milbank has shown , 59 after the manner of the famous Cretan paradox , and is therefore incapable of interdicting the claim that our making or creative knowledge may be truthful , since if we cannot know things ' in themselves ...
... John Milbank has shown , 59 after the manner of the famous Cretan paradox , and is therefore incapable of interdicting the claim that our making or creative knowledge may be truthful , since if we cannot know things ' in themselves ...
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... John Cam Hobhouse's more sustained intellectual investment on this subject . It is , of course , notoriously difficult to know how to read the facetious manner with which Byron addresses certain philosophical and theological issues ...
... John Cam Hobhouse's more sustained intellectual investment on this subject . It is , of course , notoriously difficult to know how to read the facetious manner with which Byron addresses certain philosophical and theological issues ...
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... art to encounters with the natural world and textual artifice , Corinna Russell's chapter examines the ways in which John Keats's sensuous ' fine excess ' continued 16 Romanticism and Religion from William Cowper to Wallace Stevens.
... art to encounters with the natural world and textual artifice , Corinna Russell's chapter examines the ways in which John Keats's sensuous ' fine excess ' continued 16 Romanticism and Religion from William Cowper to Wallace Stevens.
Contents
Approaching the Unapproached Light Milton and the Romantic Visionary | 25 |
Cowper Prospects Self Nature Society | 41 |
Je sais bien mais quand même Wordsworths Faithful Scepticism | 57 |
Catholic Contagion Southey Coleridge and English Romantic Anxieties | 75 |
Sacrifice and Offering Thou Didst Not Desire Byron and Atonement | 93 |
I was Bred a Moderate Presbyterian Byron Thomas Chalmers and the Scottish Religious Heritage | 107 |
Byrons Confessional Pilgrimage | 121 |
Words and the Word The Diction of Don Juan | 137 |
Byrons Monky Business Ghostly Closure and Comic Continuity | 167 |
A Fine Excess Hopkins Keats and the Gratuity of Grace | 181 |
Until Death Tramples It to Fragments Percy Bysshe Shelley after Postmodern Theology | 191 |
Sacred Art and Profane Poets | 207 |
The Death of Satan Stevenss Esthetique du Mal Evil and the Romantic Imagination | 223 |
237 | |
255 | |
Why Should I Speak? Scepticism and the Voice of Poetry in Byrons Cain | 155 |
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Romanticism and Religion from William Cowper to Wallace Stevens Dr Gavin Hopps,Dr Jane Stabler Limited preview - 2013 |
Common terms and phrases
aesthetic affirmation angels argues atheism beauty Bernard Beatty Byron Cain Cain's Cambridge Canto Catholic Catholicism Chalmers Childe Harold Childe Harold's Pilgrimage Christ Christian Church claim Coleridge Coleridge's confession confessional Cowper criticism death describes divine Don Juan English essay evil faith figure fragments God's grace Harold Bloom heaven Hopkins human Ibid imagination immanent John Keats Keats's language of seeming Letters light Lord Lord Byron Lucifer Mary Shelley McGann metaphor Milton mind modern monk moral narrative nature Oxford University Press Paradise Lost paradoxical Percy Shelley philosophy pilgrimage poem poem's poet poet's poetic political postmodern Prometheus Prose Raphael reader reading Reiman relationship religion religious Romantic poetry Romanticism Samuel Taylor Coleridge scepticism secular sense Shelley Shelley's Southey spirit stanza Stevens Stevens's sublime suffering suggests T.S. Eliot theological things Thomas Thomas Chalmers Tracy tradition transcendent vision visionary vols London Wallace Stevens William William Wordsworth words Wordsworth writing
Popular passages
Page 12 - And what if all of animated nature Be but organic harps diversely framed, That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual breeze, At once the Soul of each, and God of all?