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"BRAINS FOR CASH."

["The unbridled greediness of some authors" - MR. GOSSE.1

And

Publisher (nervously). what will your terms be for a short story, in your best style ?

Author (loftily). I have only one tyle, and that is perfection. I couldn't think of charging less than fifty guineas a page.

Publisher (aghast). Fifty guineas a page! But are you aware that Lord MACAULAY got only ten thousand for the whole of his history, and that MILTON

Author (rudely). Hang MACAULAY and MILTON! Surely you would not compare those secondrate writers with myself! If they were content to work for starvation wages, I am not.

Publisher. But, say your story runs to twenty pages, as it probably will, I shall have to pay you for that one short tale the really ridiculous sum of a thousand pounds!

Author (coolly). Yes, it is rather ridiculous-ridiculously small, I mean. Still, out of regard to your pocket, I am willing to accept that inadequate remuneration. Is it a bargain?

Publisher (with a groan). It must be. The public demands vour work, and we have no option. But allow me to remark that your policy is

Author (gaily). A Policy of Assurance, on which you have to pay the premium. Ha, ha!

A YEAR OR TWO LATER. Author (deferentially). I have a really capital idea for a work of fiction, on a subject which I believe to be quite original What -ahem!-are you prepared to offer for the copyright?

Publisher. Couldn't think of making an offer till we saw the work. It might turn out to be worth nothing at all.

Author. Nothing at all! But you forget how my fame

Publisher. Disappeared when we were obliged to charge the public six shillings for a story of yours about the size of an average tract. Other writers have come *o the front, you know. Still, if

"THE FEMALE OSTRICH AT THE ZOO IS DEAD."

THE DRINK QUESTION.

First Man. What rot it is to keep this tax on beer! Second Man. Well, it's better than spirits, anyhow. First Man. Of course you say that as you've got those shares in that Distillery Company.

Second Man. Well, you needn't talk, with your ALLSOPP Debentures.

First Man. Come to that, personally I take no interest in beer. It's poison to me.

Second Man. It's the finest drink in the world. I never touch spirits.

First Man. They're much more wholesome. I wonder what the Government will do about Local Veto and Compensation. I suppose, as I'm a Liberal

Second Man. So am I. But I respect vested interests. Now, in theory, teetotalism, especially for the masses

First Man. Waiter, bring me a whiskey and soda.
Second Man. And bring me a glass of bitter.
First Man. As for WILFRID LAWSON, he's an utter-
Second Man. Oh, WILFRID LAWSON! He's a downright-
[They drink-not SIR WILFRID's health.

there's anything in your novel, when it's finished, we should, I daresay, be prepared to offer you a couple of guineas down, and a couple more when-say- a thousand copies had been sold. Is it a bargain?

Author (sadly). I suppose it must be! Yet I can hardly be

said to be paid for my work. Publisher. Perhaps not. But you can be said to be paid out!

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THE STREETS OF LONDON. THE stately streets of London Are always "up" in Spring, To ordinary minds an ex-traordinary thing.

Then cabs across strange ridges bound,

Or sink in holes, abused With words resembling not, in sound,

Those Mrs. HEMANS used.

The miry streets of London,
Dotted with lamps by night;
What pitfalls where the dazzled
Sees doubly ruddy light! [eye
For in the season, just in May,
When many meetings meet,
The jocund vestry starts away,
And closes all the street.

The shut-up streets of London !
How willingly one jumps
From where one's cab must stop,
through pools

Of mud, in dancing pumps! When thus one skips on miry ways One's pride is much decreased, Like Mrs. Gilpin's, for one's

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Is three doors off" at least.

The free, fair streets of London!
Long, long, in vestry hall,
May heads of native thickness rise,
When April showers fall;
And green for ever be the men
Who spend the rates in May,
By stopping all the traffic then
In such a jocose way!

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THE LOSS OF THE GALLERY. (A Fragment from the Chronicles of St. Stephen's.) "BUT must I give up this comfortable furniture ?" asked the poor person, looking at the venerable chairs, some of which were distinctly rickety.

"You must, indeed," replied firmly, but still with a certain tenderness, the stern official.

"But I can nearly hear what they are saying," urged the fair petitioner. "I cannot help it."

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And all but see them," and once again she peered through the grille. 66 You "I am forced to obey my orders," returned the official. applauded. You clapped your hands- and you must retire.' And for that little burst of enthusiasm," almost wept the person, "I am to lose all this happiness! To be stopped from hearing an indistinct murmur, seeing a blurred picture, resting on rickety seats, and breathing a vitiated atmosphere! Am I to lose all these comforts and pleasures and advantages?

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"I am afraid so," was the answer. And then the official opened the door of the Ladies' Gallery f. the House of Commons, and the person passed out.

VOL. OVILI,

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Lord W-ls-l-y (to Commander-in-Chief). "IN SEPTEMBER I HAVE TO RETIRE FROM MY COMMAND. Duke. "DEAR ME! I HAVEN'T!"

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["In the retrospect of ninety years there is a pathetic mixture of gratitude for ample opportunities, and humiliation for insignificant performances." Dr. James Martineau, on his Ninetieth Birthday.]

AIR-THACKERAY's "Age of Wisdom." Ho! petty prattler of sparkling sin, Paradox-monger, slave of the queer! All your wish is a name to win, To shock the dullards, to sack the tin, Wait till you come to Ninety Year! Curled locks cover your shallow brains,

Twaddle and tinkle is all your cheer. Sickly and sullied your amorous strains, Pessimist praters of fancied pains,

What do you think of this Ninety Year?

FAMILIAR PHRASE EXPLAINED.

Robinson. "WELL, OLD CHAP, HOW DID YOU SLEEP LAST NIGHT?"

Smith (who had dined out). "LIKE A TOP.' AS SOON AS MY HEAD TOUCHED THE PILLOW, IT WENT ROUND AND ROUND!"

Ninety times over let May-day pass

(If you should live, which you won't I fear),

Then you will know that you were but an

ass,

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His eloquent lips the Truth have kissed,

His valiant eyes for the Right have shone.
Pray, and listen-'twere well you list-
Look not away lest the chance be missed,
Look on a Man, ere your chance be gone!

Then you will shudder and moan, Alas!
Would I had known it some Ninety MARTINEAU lives, he's alive, he's here!

Year!"

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He loved, and married, seventy years' syne. Look at him, taintless of fraud or fear, Alive and manful at Ninety Year, And blush at your pitiful pessimist whine!

HAMLET (amended by Lord Farrar).—"In my mind's eye, O ratio!"

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No. 172. Couldn't 'e Padmore? By John S. Sargent, A.R.A.

No. 195. All snuggled up! The
President is compelled to
(conomise space,

A. R. AT THE R. A.

(I.e., A Representative at the Royal Academy.

ANYONE arriving at Burlington House so early as to be the first person to pay his money and take his choice, will probably look straight before him, and will feel somewhat confused at seeing in the distance, but exactly opposite him, a dignified figure wearing a chain of office, politely rising to receive the early visitor. It can be no other than the President himself," will at once occur to the stranger within the gates; "and yet, did I not hear that he was abroad for the benefit of his health?" Then, just as he is about to bow his acknowledgments of the courtesy extended to him personally by the Chief Representative of Art in this country, he will notice seated, at the President's left hand, and staring at him, with a pen in his hand, ready either to take down the name of the visitor, or to make a sketch of him, a gentleman in whose lineaments anyone having the pleasure of being personally acquainted with Mr. STACY MARKS, R.A., would at once recognise those of that distinguished humourist in birdpainting. "Is there wisions about ?" will the puzzled visitor quote to himself, and then boldly advancing, hat in hand, to be soon replaced on head, he will come face to face with the biggest picture in the Academy, covering almost the entire wall.

No. 503. "How long! how long!"
Portrait of a blase youth. Even
his cane is jade-d! By John S.
Sargent, A.R.A.

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The stately figure is not Sir FREDERIC LEIGHTON, P.R.A., who unfortunately has been compelled to go abroad for the benefit of his health-prosit!-nor is the seated figure Mr. S. MARKS; but the former is "The Bürgermeister of Landsberg, Bavaria," and the latter is his secretary, while the other figures, all likenesses, are "his Town Council" in solemn deliberative assembly. The picture, an admirable one, and, as will be pretty generally admitted, a masterpiece of the master's, is No. 436 in the book, the work of Meister HUBERT HERKOMER, R.A.

But as this is in Gallery No. VI., and as it is not every one who will be

No. 277. The 9. O. M. at Cannes. By T. Graham.

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Disgusted Sculptor. "SO YOU'VE GOT THE LINE IN TWO PLACES HAVE YOU? HANG ME IF I DON'T GIVE UP ART, AND GO IN FOR PAINTING!"

AT THE BANQUET, SATURDAY, MAY 4. CHAIR of absent President ably filled by Sir JOHN MILLAIS, who, pluckily struggling against evidently painful hoarseness, made, in returning thanks, an exceptionally graceful, touching, and altogether memorable speech. Odd to note that, had Sir JOHN, speaking hoarsely, broken down, we should have heard his remplaçant Horsley speaking. The incident, however, which will mark this banquet as unique in Academical records, was Sir JOHN's mistaking one Archbishop for the other, and, in consequence, pleasantly indicating by a polite bow to the prelate on his left, that he called upon him, the Archbishop of YORK, to reply for the visitors. YORK, you're wanted," said, in effect, the genial Sir JOHN, utterly ignoring the presence of His Grace of CANTERBURY. Whereupon, CANTERBURY collapsed, while the Northern Primate, vainly attempting to dissemble his delight, professed his utter surprise, his total unpreparedness, and straightforth hastened to improve the occasion. But before fifty words had passed the jubilant Prelate's lips, Sir JOHN, having discovered his mistake, rose quickly in his stirrups, so to speak, and pulled up the impetuous YORK just then getting into his called on The Primate of All England" (a snub this for YORK) to return thanks. "One Archbishop very like another Archbishop," chuckled the unabashed Sir JOHN to himself, as he resumed his seat, "but quite forgot that YORK as Chaplain to Academy is His Grace A LITTLE MIXED.-In its account of the private view at the Royal before dinner,' and CANTERBURY represents Grace after dinner."" Academy the Daily News says: "The Countess of MALMESBURY "Twas ever thus," muttered YORK, moodily eyeing the last drop in studied the sculpture in a harmonious costume of striped black and his champagne-glass, as he mentally recalled ancient ecclesiastical pink, and a picture hat trimmed with pink roses." This is pre-quarrels between the two provinces, from which the Southern Prelate sumably the result of the influence of Mr. HORSLEY. But isn't it had issued victorious. CANTERBURY flattered, but, fluttered, lost going a little too far, at least to begin with? A piece of sculpture-his chance. His Royal Highness's speech brief, comprehensive, say, a Venus-in a harmonious costume of striped black and pink effective. Lord ROSEBERY entertaining. "The rest is silence," or might pass. But the addition of a picture hat trimmed with pink better if it had been. No more at present. Good luck to the roses is surely fatal. Academy Show of 1895.

No. 767. Congratulations to T. B. KENNINGTON on his "Alderman George Doughty, J.P.," or, as the name might be from the charac-stride. Genially beaming on the slighted CANTERBURY, Sir JOHN teristic colouring, Alderman DEORGE GOUBTY, which is quite in keeping with the proverbial aldermanic tradition.

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