A Short History of Gardens |
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Page 19
... tion and ensuring his existence to concern himself consciously with any questions of art . But the fact remains that at a very primitive stage of civiliza- tion an expression of art did exist , as can be seen in the astonishingly vivid ...
... tion and ensuring his existence to concern himself consciously with any questions of art . But the fact remains that at a very primitive stage of civiliza- tion an expression of art did exist , as can be seen in the astonishingly vivid ...
Page 288
... tion and familiarity was it discovered that less vehement harmonies might be preferable as a lesser strain on the optic nerve . It must be remembered in this connexion that the great classic painters were perhaps fortunately limited in ...
... tion and familiarity was it discovered that less vehement harmonies might be preferable as a lesser strain on the optic nerve . It must be remembered in this connexion that the great classic painters were perhaps fortunately limited in ...
Page 288
... tion and familiarity was it discovered that less vehement harmonies might be preferable as a lesser strain on the optic nerve . It must be remembered in this connexion that the great classic painters were perhaps fortunately limited in ...
... tion and familiarity was it discovered that less vehement harmonies might be preferable as a lesser strain on the optic nerve . It must be remembered in this connexion that the great classic painters were perhaps fortunately limited in ...
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Common terms and phrases
amongst ancient appeared architecture arrangement artificial artistic avenues beauty became beds birds built canals Capability Brown centre century charm Chinese Chinese gardens cloister colour court cultivation Cut-work cypress decorative delight Dutch effect Egypt England English gardening fact fashion flowering plants flowers fountain French fruit grass Greece Greek green grotto ground groves Hampton Court hedges Helen Allingham herbs hills history of gardening horticulture idea Italian Italy land landscape later lawns lines manner marble medieval ment modern motive nature never ornament painting palace paradise park parterres period Persia Persian garden phase picture plants pleasure Pliny Pope Reginald Blomfield religious Renaissance Roman Rome roses scene scheme scientific seats shade side space spirit style surroundings symbolism taste temple terraces tion topiary tradition trees Tudor period variety VAUX-LE-VICOMTE Versailles villas violets walks walls wild Younger Pliny