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THE GAZERS.

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COME, let's go on, where love and youth does
I've seen too much, if this be all.
Alas! how far more wealthy might I be
With a contented ignorant poverty!

To show such stores, and nothing grant,
Is to enrage and vex my want.
For Love to die an infant is lesser ill,
Than to live long, yet live in childhood still.
We 'ave both sat gazing only, hitherto,

As man and wife in picture do:
The richest crop of joy is still behind,
And he who only sees, in love, is blind.
So, at first, Pygmalion lov'd,

But th' amour at last improv'd;
The Statue itself at last a woman grew,
And so at last, my dear, should you do too.
Beauty to man the greatest torture is,

Unless it lead to farther bliss,
Beyond the tyrannous pleasures of the eye;
It grows too serious a cruelty,

Unless it heal, as well as

strike:

I would not, salamander-like, In scorching heats always to live desire, But, like a martyr, pass to Heaven through fire. Mark how the lusty Sun salutes the Spring,

And gently kisses every thing!

His loving beams unlock each maiden flower,
Search all the treasures, all the sweets devour:

Then on the earth, with bridegroom-heat,
He does still new flowers beget.

The Sun himself, although all eye he be,
Can find in love more pleasure than to see.

THE INCURABLE.

I TRY'D if books would cure my love, but found
Love made them nonsense all;

I apply'd receipts of business to my wound,
But stirring did the pain recall.

As well might men who in a fever fry,
Mathematic doubts debate;

As well might men who mad in darkness lie,
Write the dispatches of a state.

I try'd devotion, sermons, frequent prayer,
But those did worse than useless prove;
For prayers are turn'd to sin, in those who are
Out of charity, or in love.

I try'd in wine to drown the mighty care;
But wine, alas! was oil to th' fire;

Like drunkards' eyes, my troubled fancy there
Did double the desire.

I try'd what mirth and gaiety would do,
And mix'd with pleasant companies;
My mirth did graceless and insipid grow,

And 'bove a clinch it could not rise.
Nay, God forgive me for 't! at last I try'd,

'Gainst this, some new desire to stir, And lov'd again, but 'twas where I espy'd Some faint resemblances of her.

The physic made me worse, with which I strove
This mortal ill t' expel;

As wholesome med'cines the disease improve
There where they work not well.

HONOUR.

SHE loves, and she confesses too;
There's then, at last, no more to do:
The happy work's entirely done;
Enter the town which thou hast won;
The fruits of conquest now begin;
Iö, triumph! enter in.

What's this, ye gods! what can it be?
Remains there still an enemy?
Bold Honour stands up in the gate,
And would yet capitulate;

Have I o'ercome all real foes,
And shall this phantom me oppose?
Noisy nothing! stalking shade!
By what witchcraft wert thou made?.
Empty cause of solid harms!
But I shall find out counter-charms,
Thy airy devilship to remove
From this circle here of love.
Sure I shall rid myself of thee
By the night's obscurity,
And obscurer secrecy!
Unlike to every other sprite,
Thou attempt'st not men to fright,
Nor appear'st but in the light.

THE INNOCENT ILL.

THOUGH all thy gestures and discourses be
Coin'd and stamp'd by modesty;
Though from thy tongue ne'er slipp'd away
One word which nuns at th' altar might not say;
Yet such a sweetness, such a grace,

In all thy speech appear,

That what to th' eye a beauteous face,
That thy tongue is to th' ear:

So cunningly it wounds the heart,

It strikes such heat through every part, That thou a tempter worse than Satan art. Though in thy thoughts scarce any tracks have So much as of original sin, Such charms thy beauty wears, as might

Desires in dying confess'd saints excite:

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Thou, with strange adultery,

Dost in each breast a brothel keep;
Awake, all men do lust for thee,

And some enjoy thee when they sleep.
Ne'er before did woman live,
Who to such multitudes did give
The root and cause of sin, but only Eve.
Though in thy breast so quick a pity be,

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That a fly's death 's a wound to thee;
Though savage and rock-hearted those
Appear, that weep not ev'n romance's woes;
Yet ne'er before was tyrant known,
Whose rage was of so large extent;
The ills thou dost are whole thine own;
Thou'rt principal and instrument:
In all the deaths that come from you,
You do the treble office do

Of judge, of torturer, and of weapon too.
Thou lovely instrument of angry Fate,

Which God did for our faults create!
Thou pleasant, universal ill,
Which, sweet as health, yet like a plague dost
kill!

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But noblest charity in thee.
I'll the well-gotten pleasure
Safe in my memory treasure:

What though the flower itself do waste, The essence from it drawn does long and sweeter last.

She. No: I'm undone; my honour thou hast slain,
And nothing can restore 't again.
Art and labour to bestow,
Upon the carcase of it now,

Is but t' embalm a body dead; The figure may remain, the life and beauty's fled.

He. Never, my dear, was Honour yet undone
By Love, but Indiscretion.
To th' wise it all things does allow;
And cares not what we do, but how.

Like tapers shut in ancient urns,
Unless it let in air, for ever shines and burns.

She. Thou first, perhaps, who didst the fault commit,

Wilt make thy wicked boast of it;
For men, with Roman pride, above
The conquest do the triumph love;

Nor think a perfect victory gain'd,
Unless they through the streets their captive

lead enchain'd.

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VERSES LOST UPON A WAGER.
AS soon hereafter will I wagers lay
'Gainst what an oracle shall say;
Fool that I was, to venture to deny
A tongue so us'd to victory!

A tongue so blest by Nature and by Art,
That never yet it spoke but gain'd an heart:
Though what you said had not been true,
If spoke by any else but you;
Your speech will govern Destiny,
And Fate will change rather than you should lye.
'Tis true, if human Reason were the guide,
Reason, methinks, was on my side;
But that's a guide, alas! we must resign,

When th' authority's divine.

She said, she said herself it would be so ;
And I, bold unbeliever! answer'd no:
Never so justly, sure, before,

Errour the name of blindness bore;
For whatso'er the question be,

There's no man that has eyes would bet for me.
If Truth itself (as other angels do

When they descend to human view)
In a material form would deign to shine,
"Twould imitate or borrow thine:

So dazzling bright, yet so transparent clear,
So well-proportion'd would the parts appear!
Happy the eye which Truth could see
Cloath'd in a shape like thee;
But happier far the eye

Which could thy shape naked like Truth espy.
Yet this lost wager costs me nothing more

Than what I ow'd to thee before: Who would not venture for that debt to play, Which he were bound howe'er to pay? If Nature gave me power to write in verse, She gave it me thy praises to rehearse: Thy wondrous beauty and thy wit Has such a sovereign right to it, That no man's Muse for public vent is free, Till she has paid her customs first to thee.

BATHING IN THE RIVER.
THE fish around her crowded, as they do
To the false light that treacherous fishers shew,
And all with as much ease might taken be,

As she at first took me ;
For ne'er did light so clear
Among the waves appear,

Though every night the Sun himself set there,

Why to mute fish should thou thyself discover,
And not to me thy no less silent lover?
As some froni men their buried gold commit
To ghosts, that have no use of it;
Half their rich treasures so

Maids bury: and, for aught we know,
(Poor ignorants!) they're mermaids all below.
The amorous waves would fain about her stay,
But still new amorous waves drive them away,
And with swift current to those joys they haste,
That do as swiftly waste:

I laugh'd the wanton play to view;
But 'tis, alas! at land so too,

And still old lovers yield the place to new.
Kiss her, and as you part, you amorous waves,
(My happier rivals, and my fellow-slaves)
Point to your flowery banks, and to her shew
The good your bounties do;

Then tell her what your pride doth cost, And how your use and beauty's lost, When rigorous Winter binds you up with frost. Tell her, her beauties and her youth, like thee, Haste without stop to a devouring sea; Where they will mix'd and undistinguish'd lie With all the meanest things that die; As in the ocean thou

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Alas! what comfort is 't that I am grown
Secure of being again o'erthrown?
Since such an enemy needs not fear
Lest any else should quarter there,

Who has not only sack'd, but quite burnt down the town.

THE FORCE OF LOVE.

PRESERVED FROM AN OLD MANUSCRIPT.

THROW an apple up an hill,

Down the apple tumbles still;
Roll it down, it never stops
Till within the vale it drops:
So are all things prone to Love,
All below, and all above.

Down the mountain flows the stream,
Up ascends the lambent flame;
Smoke and vapour mount the skies;
All preserve their unities;
Nought below, and nought above,
Seems averse, but prone to Love.
Stop the meteor in its flight,
Or the orient rays of light;
Bid Dan Phoebus not to shine,
Bid the planets not incline;
'Tis as vain, below, above,
To impede the course of Love.
Salamanders live in fire,
Eagles to the skies aspire,
Diamonds in their quarries lie
Rivers do the sea supply:
Thus appears, below, above,
A propensity to Love.

Metals grow within the mine,
Luscious grapes upon the vine
Still the needle marks the pole;
Parts are equal to the whole:
'Tis a truth as clear, that Love
Quickens all, below, above.

Man is born to live and die,
Snakes to creep, and birds to fly;
Fishes in the waters swim,
Doves are mild, and lions grim:
Nature thus, below, above,
Pushes all things on to Love.

Does the cedar love the mountain!
Or the thirsty deer the fountain?
Does the shepherd love his crook?
Or the willow court the brook?
Thus by nature all things move,
Like a running stream, to Love.
Is the valiant hero bold?
Does the miser doat on gold?

And not one star in Heaven offers to take thy part. Seek the birds in spring to pair?

If e'er I clear my heart of this desire,

If e'er it home to its breast retire,
It ne'er shall wander more about,
Though thousand beauties call it out:

A lover burnt like me for ever dreads the fire.

The pox, the plague, and every small disease
May come as oft as ill-fate please;
But Death and Love are never found
To give a second wound:

Breathes the rose-bud scented air Should

you this deny, you'll prove Nature is averse to Love.

As the wencher loves a lass,
As the toper loves his glass,
As the friar loves his cowl,
Or the miller loves the toll,
So do all, below, above,
Fly precipitate to Love.

We're by those serpents bit; but we're devour'd When young maidens courtship shun

by these.

When the Moon out-shines the Sun,

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Ir a man should undertake to translate Pindar almost without any thing else, makes an excelword for word, it would be thought, that one mad-lent poet; for though the grammarians and critics man had translated another; as may appear, when he that understands not the original, reads the verbal traduction of him into Latin prose, than which nothing seems more raving. And sure, rhyme, without the addition of wit, and the spirit of poetry, (quod nequeo monstrare & sentio tantum) would but make it ten times more distracted than it is in prose. We must consider in Pindar the great difference of time betwixt his age and ours, which changes, as in pictures, at least the colours of poetry; the no Jess difference betwixt the religions and customs of our countries; and a thousand particularities of places, persons, and manners, which do but confusedly appear to our eyes at so great a dis

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And

have laboured to reduce his verses into regular
feet and measures (as they have also those of
the Greek and Latin comedies) yet in effect they
are little better than prose to our ears. And I
would gladly know what applause our best pieces
of English poesy could expect from a French-
man or Italian, if converted faithfully, and word
for word, into French or Italian prose.
when we have considered all this, we must needs
confess, that, after all these losses sustained by
Pindar, all we can add to him by our wit or in-
vention (not deserting still his subject) is not
like to make him a richer man than he was in his
own country. This is in some measure to be
applied to all translations; and the not observing
of it, is the cause that all which ever I yet saw
are so much inferior to their originals. The
like happens too in pictures, from the same root
of exact imitation; which, being a vile and un-

worthy kind of servitude, is incapable of producing any thing good or noble. I have seen originals, both in painting and poesy, much more beautiful than their natural objects; but I never

saw a copy better than the original: which in

deed cannot be otherwise; for men resolving in no case to shoot beyond the mark, it is a thousand to one if they shoot not short of it. It does not at all trouble me, that the grammarians, perhaps, will not suffer this libertine way of rendering foreign authors to be called translation; for I am not so much enamoured of the name translator, as not to wish rather to be something better, though it want yet a name. I speak not so much all this, in defence of my manner of translating, or imitating, (or what other title they please) the two ensuing Odes of Pindar; for that would not deserve half these words; as by this occasion to rectify the opinion of divers men upon this matter. The Psalms of David (which I believe to have been in their original, to the Hebrews of his time, though not to our Hebrews of Buxtorfius's making, the most exalted pieces of poesy) are a great example of what I have said; all the translators of which, (even Mr. Sandys himself; for in despite of popular errour, I will be bold not to except him) for this very reason, that they have not sought to supply the lost excellencies of another language with new ones in their own, are so far from doing honour, or at least justice, to that divine poet, that methinks they revile him worse than Shimei. And Buchanan himself (though much the best of them all, and indeed a great person) comes in my opinion no less short of David, than his country docs of Judea. Upon this ground I have, in these two Odes of Pindar, taken, left out, and added, what I please; nor make it so much my aim to let the reader know precisely what he spoke, as what was his way and manner of speaking; which has not been yet (that I know of) introduced into English, though it be the noblest and highest kind of writing in verse; and which might, perhaps, be put into the list of Pancirolus, among the lost inventions of antiquity. This essay is but to try how it will look in an English habit: for which experiment I have chosen one of his Olympic, and another of his Nemæan Odes; which are as followeth,

THE SECOND OLYMPIC ODE OF
PINDAR.

Written in praise of Theron, prince of Agrigentum, (a famous city in Sicily, built by his ancestors) who, in the seventy-seventh Olympic, won the chariot-prize. He is commended from the nobility of his race, (whose story is often toucht on) from his great riches, (an ordinary common-place in Pindar) from his hospitality, munificence, and other virtues. The Ode (according to the constant custom of the poet) consists more in digressions, than in the main subject: and the reader must not be choqued to hear him speak so often of his

own Muse; for that is a liberty which this kind of poetry can hardly live without.

QUEEN of all harmonious things,

Dancing words, and speaking strings!
What god, what hero, wilt thou sing?
What happy man to equal glories bring?
Begin, begin thy noble choice,

[voice.
And let the hills around reflect the image of thy
Pisa does to Jove belong;
The fair first-fruits of war, th' Olympic games,
Jove and Pisa claim thy song.
Alcides offer'd-up to Jove;

But, oh! what man to join with these can worthy
Alcides too thy strings may move: [prove!
Join Theron boldly to their sacred names ;

Is

Theron the next honour claims:
Theron to no man gives place,
first in Pisa's and in Virtue's race!

Theron there, and he alone,

Ev'n his own swift forefathers has outgone,
They through rough ways, o'er many stops they
past,

Till on the fatal bank at last
They Agrigentum built, the beauteous eye
Of fair-fac'd Sicily;

Which does itself i' th' river by

With pride and joy espy.

Then chearful notes their painted years did sing,
And Wealth was one, and Honour th' other,
wing;

Their genuine virtues did more sweet and clear,
In Fortune's graceful dress, appear.

To which, great son of Rhea! say
The firm word, which forbids things to decay!
If in Olympus' top, where thou
Sitt'st to behold thy sacred show;
If in Alpheus' silver flight;
If in my verse, thou dost delight,
My verse, O Rhea's son! which is
Lofty as that, and smooth as this.

For the past sufferings of this noble race
(Since things once past, and fled out of thine
hand,

Hearken no more to thy command)
Let present joys fill up their place,
And with Oblivion's silent stroke deface
Of foregone ills the very trace,
In no illustrious line
Do these happy changes shine
More brightly, Theron! than in thine.
So, in the crystal palaces

Of the blue-ey'd Nereides,
Ino her endless youth does please,
And thanks her fall into the seas.
Beauteous Semele does no less
Her cruel midwife, Thunder, bless;
Whilst, sporting with the gods on high,
She enjoys secure their company;
Plays with lightnings as they fly,
Nor trembles at the bright embraces of the Deity

But death did them from future dangers free;
What god, alas! will caution be

For living man's security,
Or will ensure our vessel in this faithless sea?

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