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upon the prettiest woman in England, ' and all for a mere nothing? But I am his humble servant; his precautions ' will avail him nothing; on the con'trary, very often a woman, who had 'no bad intentions when she was suf'fered to remain in tranquillity, is prompted to such conduct by revenge, ' or reduced to it by necessity: this is as true as the gospel hear now 'what Francisco's saraband says on the subject.

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Tell me, jealous-pated swain,

What avail thy idle arts,

To divide united hearts?

:

Love, like the wind, I trow,

Will, where it listeth, blow;

So, prithee, peace, for all thy cares are vain.

When you are by,

Nor wishful look, be sure, nor eloquent sigh,

Shall dare those inward fires discover,

Which burn in either lover:

Yet Argus' self, if Argus were thy spy,

Should ne'er, with all his mob of eyes,
Surprise.

Some joys forbidden,

Transports hidden,

Which love, through dark and secret ways,
Mysterious love, to kindred souls conveys.'

The Chevalier de Grammont passed for the author of this sonnet: neither the justness of the sentiment, nor turn of it, are surprisingly beautiful; but as it contained some truths that flattered the genius of the nation, and pleased those who interested themselves for the fair sex, the ladies were all desirous of having it to teach their children.

During all this time, the Duke of York, not being in the way of seeing Lady Chesterfield, easily forgot her: her absence, however, had some cir

cumstances attending it, which could not but sensibly affect the person who had occasioned her confinement; but there are certain fortunate tempers to which every situation is easy; they feel neither disappointment with bitterness, nor pleasure with acuteness. In the mean time, as the duke could not remain idle, he had no sooner forgotten Lady Chesterfield, but he began to think of her whom he had been in love with before, and was upon the point of relapsing into his old passion for Miss Hamilton.

There was in London a celebrated portrait painter called Lely, who had greatly improved himself by studying the famous Vandyke's pictures, which were dispersed all over England in abundance. Lely imitated Vandyke's manner, and approached the nearest to him of all the moderns. The Duchess VOL. II.

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of York being desirous of having the portraits of the handsomest persons at court, Lely painted them, and employed all his skill in the performance; nor could he ever exert himself upon more beautiful subjects. Every picture appeared a'master-piece; and that of Miss Hamilton appeared the highest finished: Lely himself acknowledged, that he had drawn it with a particular pleasure. The Duke of York took a delight in looking at it, and began again to ogle the original: he had very little reason to hope for success; but at the same time that his hopeless passion alarmed the Chevalier de Grammont, Lady Denham thought proper to renew the negotiation which had so unluckily been interrupted: it was soon brought to a conclusion; for where both parties are sincere in a negotiation, no time is lost in cavilling.

Every thing succeeded prosperously on one side; yet I know not what fatality obstructed the pretensions of the other. The duke was very urgent with the duchess to put Lady Denham in possession of the place which was the object of her ambition; but as she was not guarantee for the performance of the secret articles of the treaty, though till this time she had borne with patience the inconstancy of the duke, and yielded submissively to his pleasure; yet, in the present instance, it appeared hard and dishonourable to her, to entertain near her person a rival, who would expose her to the danger of acting but a second part in the midst of her own court. However she saw herself upon the point of being forced to it by authority, when a far more unfortunate obstacle for ever bereft poor Lady Denham of the hopes

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