Revaluation: Tradition & Development in English Poetry |
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Page 43
... verse and believe that in such verse no highly sensuous and perfectly make - believe world ' could be evoked . Even in the first two books of Paradise Lost , where the myth has vigorous life and one can admire the magnificent invention ...
... verse and believe that in such verse no highly sensuous and perfectly make - believe world ' could be evoked . Even in the first two books of Paradise Lost , where the myth has vigorous life and one can admire the magnificent invention ...
Page 53
... verse . It should be plain , for instance , that subtlety of move- ment in English verse depends upon the play of the natural sense movement and intonation against the verse structure , and that ' natural , ' here , involves a reference ...
... verse . It should be plain , for instance , that subtlety of move- ment in English verse depends upon the play of the natural sense movement and intonation against the verse structure , and that ' natural , ' here , involves a reference ...
Page 109
... verse - verse that , as Professor Nichol Smith points out , looks so like Wordsworth's.2 That verse represents none the less a dull eighteenth- century by - line , one ' literary ' in the bad sense . It has still to be discussed why ...
... verse - verse that , as Professor Nichol Smith points out , looks so like Wordsworth's.2 That verse represents none the less a dull eighteenth- century by - line , one ' literary ' in the bad sense . It has still to be discussed why ...
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Revaluation: Tradition & Development in English Poetry F R (Frank Raymond) 1895-1 Leavis No preview available - 2021 |
Common terms and phrases
achievement admirable aesthetic Augustan beauty Ben Jonson bright Byron Carew characteristic civilization Coleridge complete contemplation contrast course critical decorum Donne Dryden Dunciad effect eighteenth century Elegy Eliot emotional English poetry essay essential fact feeling flowers genius Gray's heart Heaven human Hyperion idiom imagery imagination insistence inspiration intelligence Jonson Keats Keats's kind less literary living Lycidas lyric Lytton Strachey Mac Flecknoe Marvell's Matthew Arnold merely Metaphysical Milton mind mode Mont Blanc moral movement nature ness Nightingale Note o'er obvious offered Oxford Book Paradise Lost passage phrase plain poem poet poetic polite Pope Pope's present prose realized relation representative rich Romantic Samson Agonistes satiric seems sense sensibility sensuous Shakespeare Shelley Shelley's significant solemn song soul spirit stanza strength stress subtle suggest sweet taste Tennyson thee things thou thought Tintern Abbey tion tone tradition turn uncon Victorian virtues words Wordsworth