Revaluation: Tradition & Development in English Poetry |
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Page 196
... sweet ' there are not Words- worth but Shelley , who , in the act of presenting the effect of Wordsworth , transforms this into something characteristic of his own sensibility . We have here , in fact , the relation to Wordsworth that ...
... sweet ' there are not Words- worth but Shelley , who , in the act of presenting the effect of Wordsworth , transforms this into something characteristic of his own sensibility . We have here , in fact , the relation to Wordsworth that ...
Page 233
... sweet beguiling melody , So sweet , we know not we are listening to it , Thou , the meanwhile , wast blending with my Thought , Yea , with my Life and Life's own secret joy : Till the dilating Soul , enrapt , transfused , Into the ...
... sweet beguiling melody , So sweet , we know not we are listening to it , Thou , the meanwhile , wast blending with my Thought , Yea , with my Life and Life's own secret joy : Till the dilating Soul , enrapt , transfused , Into the ...
Page 252
... sweet anodyne . In fact , the main impulsion of the Ode to a Nightingale is essentially of the same order as that exhibited more simply by the Ode on a Grecian Urn . The urn , with its ' leaf - fringed legend , ' gives a firmer stay to ...
... sweet anodyne . In fact , the main impulsion of the Ode to a Nightingale is essentially of the same order as that exhibited more simply by the Ode on a Grecian Urn . The urn , with its ' leaf - fringed legend , ' gives a firmer stay to ...
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Revaluation: Tradition & Development in English Poetry F R (Frank Raymond) 1895-1 Leavis No preview available - 2021 |
Common terms and phrases
achievement admirable aesthetic Augustan beauty Ben Jonson bright Byron Carew characteristic civilization Coleridge complete contemplation contrast course critical decorum Donne Dryden Dunciad effect eighteenth century Elegy Eliot emotional English poetry essay essential fact feeling flowers genius Gray's heart Heaven human Hyperion idiom imagery imagination insistence inspiration intelligence Jonson Keats Keats's kind less literary living Lycidas lyric Lytton Strachey Mac Flecknoe Marvell's Matthew Arnold merely Metaphysical Milton mind mode Mont Blanc moral movement nature ness Nightingale Note o'er obvious offered Oxford Book Paradise Lost passage phrase plain poem poet poetic polite Pope Pope's present prose realized relation representative rich Romantic Samson Agonistes satiric seems sense sensibility sensuous Shakespeare Shelley Shelley's significant solemn song soul spirit stanza strength stress subtle suggest sweet taste Tennyson thee things thou thought Tintern Abbey tion tone tradition turn uncon Victorian virtues words Wordsworth