Revaluation: Tradition & Development in English Poetry |
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Page 81
... satirist and to enjoy as such what favour he does enjoy , one cannot easily find good reasons for believing that an intelligent appreciation of satiric poetry is much commoner to - day than it was among the contemporaries of Matthew ...
... satirist and to enjoy as such what favour he does enjoy , one cannot easily find good reasons for believing that an intelligent appreciation of satiric poetry is much commoner to - day than it was among the contemporaries of Matthew ...
Page 97
... satiric method changes ; in Bentley's speech we are more aware of the ironical satirist than of the awful Aristarch himself : Turn what they will to Verse , their toil is vain , Critics like me shall make it Prose again . Against the ...
... satiric method changes ; in Bentley's speech we are more aware of the ironical satirist than of the awful Aristarch himself : Turn what they will to Verse , their toil is vain , Critics like me shall make it Prose again . Against the ...
Page 129
... satiric poetry , it was not in any Augustan mode . English Bards and Scotch Reviewers reveals his complete incapacity to use the traditional couplet . Nothing of what was behind the form for Dryden , for Pope , for Johnson and for ...
... satiric poetry , it was not in any Augustan mode . English Bards and Scotch Reviewers reveals his complete incapacity to use the traditional couplet . Nothing of what was behind the form for Dryden , for Pope , for Johnson and for ...
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Revaluation: Tradition & Development in English Poetry F R (Frank Raymond) 1895-1 Leavis No preview available - 2021 |
Common terms and phrases
achievement admirable aesthetic Augustan beauty Ben Jonson bright Byron Carew characteristic civilization Coleridge complete contemplation contrast course critical decorum Donne Dryden Dunciad effect eighteenth century Elegy Eliot emotional English poetry essay essential fact feeling flowers genius Gray's heart Heaven human Hyperion idiom imagery imagination insistence inspiration intelligence Jonson Keats Keats's kind less literary living Lycidas lyric Lytton Strachey Mac Flecknoe Marvell's Matthew Arnold merely Metaphysical Milton mind mode Mont Blanc moral movement nature ness Nightingale Note o'er obvious offered Oxford Book Paradise Lost passage phrase plain poem poet poetic polite Pope Pope's present prose realized relation representative rich Romantic Samson Agonistes satiric seems sense sensibility sensuous Shakespeare Shelley Shelley's significant solemn song soul spirit stanza strength stress subtle suggest sweet taste Tennyson thee things thou thought Tintern Abbey tion tone tradition turn uncon Victorian virtues words Wordsworth