Revaluation: Tradition & Development in English Poetry |
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Page 25
Tradition & Development in English Poetry Frank Raymond Leavis. stressing . Immediately before the sentence just quoted Mr. Eliot had written : ' The wit of the Caroline poets is not the wit of Shakespeare , and it is not the wit of ...
Tradition & Development in English Poetry Frank Raymond Leavis. stressing . Immediately before the sentence just quoted Mr. Eliot had written : ' The wit of the Caroline poets is not the wit of Shakespeare , and it is not the wit of ...
Page 45
... immediately due to the evocation of that serene , clear , ideally remote classical world so potent upon Milton's sensibility . But what is most important to note is that the heavy stresses , the characteristic cadences , turns and ...
... immediately due to the evocation of that serene , clear , ideally remote classical world so potent upon Milton's sensibility . But what is most important to note is that the heavy stresses , the characteristic cadences , turns and ...
Page 218
... immediately recognizable as currency values . Those who take pleasure in recognizing and accepting them are not at the same time exacting about sense . The critical interest up to this point has been to see Shelley , himself ( when ...
... immediately recognizable as currency values . Those who take pleasure in recognizing and accepting them are not at the same time exacting about sense . The critical interest up to this point has been to see Shelley , himself ( when ...
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Revaluation: Tradition & Development in English Poetry F R (Frank Raymond) 1895-1 Leavis No preview available - 2021 |
Common terms and phrases
achievement admirable aesthetic Augustan beauty Ben Jonson bright Byron Carew characteristic civilization Coleridge complete contemplation contrast course critical decorum Donne Dryden Dunciad effect eighteenth century Elegy Eliot emotional English poetry essay essential fact feeling flowers genius Gray's heart Heaven human Hyperion idiom imagery imagination insistence inspiration intelligence Jonson Keats Keats's kind less literary living Lycidas lyric Lytton Strachey Mac Flecknoe Marvell's Matthew Arnold merely Metaphysical Milton mind mode Mont Blanc moral movement nature ness Nightingale Note o'er obvious offered Oxford Book Paradise Lost passage phrase plain poem poet poetic polite Pope Pope's present prose realized relation representative rich Romantic Samson Agonistes satiric seems sense sensibility sensuous Shakespeare Shelley Shelley's significant solemn song soul spirit stanza strength stress subtle suggest sweet taste Tennyson thee things thou thought Tintern Abbey tion tone tradition turn uncon Victorian virtues words Wordsworth