Revaluation: Tradition & Development in English Poetry |
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Page 46
... given by the end - position to the first fell , ' with the accompanying pause , in what looks like a common , limply pompous Miltonicism- and how he fell From Heav'n , they fabl'd , thrown . . . —is here uncommonly right ; the heavy ...
... given by the end - position to the first fell , ' with the accompanying pause , in what looks like a common , limply pompous Miltonicism- and how he fell From Heav'n , they fabl'd , thrown . . . —is here uncommonly right ; the heavy ...
Page 141
... given thee till the break of day . ' Attempted paraphrase of this poem would be brought up against awkward questions - would turn , in fact , into interpretation and comment . In spite of the 6 semi - colon at the end of the second line ...
... given thee till the break of day . ' Attempted paraphrase of this poem would be brought up against awkward questions - would turn , in fact , into interpretation and comment . In spite of the 6 semi - colon at the end of the second line ...
Page 226
... given mind in a given critical moment that is felt from the inside that is lived — with sharp concrete particularity . Claudio's ' Ay , but to die ... ' is not insistently and voluminously emotional like Beatrice's ( wildly ' ) . My God ...
... given mind in a given critical moment that is felt from the inside that is lived — with sharp concrete particularity . Claudio's ' Ay , but to die ... ' is not insistently and voluminously emotional like Beatrice's ( wildly ' ) . My God ...
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Revaluation: Tradition & Development in English Poetry F R (Frank Raymond) 1895-1 Leavis No preview available - 2021 |
Common terms and phrases
achievement admirable aesthetic Augustan beauty Ben Jonson bright Byron Carew characteristic civilization Coleridge complete contemplation contrast course critical decorum Donne Dryden Dunciad effect eighteenth century Elegy Eliot emotional English poetry essay essential fact feeling flowers genius Gray's heart Heaven human Hyperion idiom imagery imagination insistence inspiration intelligence Jonson Keats Keats's kind less literary living Lycidas lyric Lytton Strachey Mac Flecknoe Marvell's Matthew Arnold merely Metaphysical Milton mind mode Mont Blanc moral movement nature ness Nightingale Note o'er obvious offered Oxford Book Paradise Lost passage phrase plain poem poet poetic polite Pope Pope's present prose realized relation representative rich Romantic Samson Agonistes satiric seems sense sensibility sensuous Shakespeare Shelley Shelley's significant solemn song soul spirit stanza strength stress subtle suggest sweet taste Tennyson thee things thou thought Tintern Abbey tion tone tradition turn uncon Victorian virtues words Wordsworth