Revaluation: Tradition & Development in English Poetry |
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Page 19
... course , had to be achieved by effort , and was achieved in the mode . This mode , which is sufficiently realized in a considerable body of poems , may be described as consciously urbane , mature and civilized . Whatever its relation to ...
... course , had to be achieved by effort , and was achieved in the mode . This mode , which is sufficiently realized in a considerable body of poems , may be described as consciously urbane , mature and civilized . Whatever its relation to ...
Page 133
... course , plain at once : Straight mine eye hath caught new pleasures , While the landskip round it measures . Russet lawns , and fallows grey , Where the nibbling flocks do stray . Mountains on whose barren breast The labouring clouds ...
... course , plain at once : Straight mine eye hath caught new pleasures , While the landskip round it measures . Russet lawns , and fallows grey , Where the nibbling flocks do stray . Mountains on whose barren breast The labouring clouds ...
Page 257
... course , not so plain as the antithetical use of the two words would suggest ; but the point just made about Keats may be enforced by recalling that the urn , for him , becomes alive ( warm ' and ' panting ' ) , and that out of the ...
... course , not so plain as the antithetical use of the two words would suggest ; but the point just made about Keats may be enforced by recalling that the urn , for him , becomes alive ( warm ' and ' panting ' ) , and that out of the ...
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Revaluation: Tradition & Development in English Poetry F R (Frank Raymond) 1895-1 Leavis No preview available - 2021 |
Common terms and phrases
achievement admirable aesthetic Augustan beauty Ben Jonson bright Byron Carew characteristic civilization Coleridge complete contemplation contrast course critical decorum Donne Dryden Dunciad effect eighteenth century Elegy Eliot emotional English poetry essay essential fact feeling flowers genius Gray's heart Heaven human Hyperion idiom imagery imagination insistence inspiration intelligence Jonson Keats Keats's kind less literary living Lycidas lyric Lytton Strachey Mac Flecknoe Marvell's Matthew Arnold merely Metaphysical Milton mind mode Mont Blanc moral movement nature ness Nightingale Note o'er obvious offered Oxford Book Paradise Lost passage phrase plain poem poet poetic polite Pope Pope's present prose realized relation representative rich Romantic Samson Agonistes satiric seems sense sensibility sensuous Shakespeare Shelley Shelley's significant solemn song soul spirit stanza strength stress subtle suggest sweet taste Tennyson thee things thou thought Tintern Abbey tion tone tradition turn uncon Victorian virtues words Wordsworth