Revaluation: Tradition & Development in English Poetry |
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Page 8
... characteristic transmutation examined in the note on Matthew Arnold . Shelley represents most nearly in the period ( if we leave out Blake ) the complete rejection of the past , and he at the same time ( so contrasting with Blake ) ...
... characteristic transmutation examined in the note on Matthew Arnold . Shelley represents most nearly in the period ( if we leave out Blake ) the complete rejection of the past , and he at the same time ( so contrasting with Blake ) ...
Page 172
... characteristic , an impersonality unknown to Shelley . This characteristic ( consider the capacity and the habit it implies ) is closely associated with the social - moral centrality insisted on above . The insistence will no doubt be ...
... characteristic , an impersonality unknown to Shelley . This characteristic ( consider the capacity and the habit it implies ) is closely associated with the social - moral centrality insisted on above . The insistence will no doubt be ...
Page 269
... characteristic move- ment - inert ' only by comparison and in immediate effect , while the ear has not yet dropped the habit of expectancy brought away from the first version . The new verse moves line by line , the characteristic ...
... characteristic move- ment - inert ' only by comparison and in immediate effect , while the ear has not yet dropped the habit of expectancy brought away from the first version . The new verse moves line by line , the characteristic ...
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Revaluation: Tradition & Development in English Poetry F R (Frank Raymond) 1895-1 Leavis No preview available - 2021 |
Common terms and phrases
achievement admirable aesthetic Augustan beauty Ben Jonson bright Byron Carew characteristic civilization Coleridge complete contemplation contrast course critical decorum Donne Dryden Dunciad effect eighteenth century Elegy Eliot emotional English poetry essay essential fact feeling flowers genius Gray's heart Heaven human Hyperion idiom imagery imagination insistence inspiration intelligence Jonson Keats Keats's kind less literary living Lycidas lyric Lytton Strachey Mac Flecknoe Marvell's Matthew Arnold merely Metaphysical Milton mind mode Mont Blanc moral movement nature ness Nightingale Note o'er obvious offered Oxford Book Paradise Lost passage phrase plain poem poet poetic polite Pope Pope's present prose realized relation representative rich Romantic Samson Agonistes satiric seems sense sensibility sensuous Shakespeare Shelley Shelley's significant solemn song soul spirit stanza strength stress subtle suggest sweet taste Tennyson thee things thou thought Tintern Abbey tion tone tradition turn uncon Victorian virtues words Wordsworth