Revaluation: Tradition & Development in English Poetry |
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Page 101
... bring into poetry the vitality of the age . Mr. Edgell Rickword , reviewing1 The Oxford Book of Eighteenth Century Verse , sees the bad turn as coming at about 1720 , the period ' which no anthological charity can do much to ...
... bring into poetry the vitality of the age . Mr. Edgell Rickword , reviewing1 The Oxford Book of Eighteenth Century Verse , sees the bad turn as coming at about 1720 , the period ' which no anthological charity can do much to ...
Page 122
... bring from prose . And , in the eighteenth century , Blake's Hear the Voice of the Bard has a structure very much ... bringing Blake in here should be fairly , plain he represents the antithesis to the Augustan ethos ( to which Mr. Eliot ...
... bring from prose . And , in the eighteenth century , Blake's Hear the Voice of the Bard has a structure very much ... bringing Blake in here should be fairly , plain he represents the antithesis to the Augustan ethos ( to which Mr. Eliot ...
Page 248
... bring the needed note of freshness into the else too cloying accumulation of sweets . And now comes a stanza that , in the simplifying memory , tends to get . tends to get undue prominence : Darkling I listen ; and for many a time I ...
... bring the needed note of freshness into the else too cloying accumulation of sweets . And now comes a stanza that , in the simplifying memory , tends to get . tends to get undue prominence : Darkling I listen ; and for many a time I ...
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Revaluation: Tradition & Development in English Poetry F R (Frank Raymond) 1895-1 Leavis No preview available - 2021 |
Common terms and phrases
achievement admirable aesthetic Augustan beauty Ben Jonson bright Byron Carew characteristic civilization Coleridge complete contemplation contrast course critical decorum Donne Dryden Dunciad effect eighteenth century Elegy Eliot emotional English poetry essay essential fact feeling flowers genius Gray's heart Heaven human Hyperion idiom imagery imagination insistence inspiration intelligence Jonson Keats Keats's kind less literary living Lycidas lyric Lytton Strachey Mac Flecknoe Marvell's Matthew Arnold merely Metaphysical Milton mind mode Mont Blanc moral movement nature ness Nightingale Note o'er obvious offered Oxford Book Paradise Lost passage phrase plain poem poet poetic polite Pope Pope's present prose realized relation representative rich Romantic Samson Agonistes satiric seems sense sensibility sensuous Shakespeare Shelley Shelley's significant solemn song soul spirit stanza strength stress subtle suggest sweet taste Tennyson thee things thou thought Tintern Abbey tion tone tradition turn uncon Victorian virtues words Wordsworth