Dramatic Theory and Criticism: Greeks to Grotowski |
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Page 533
... tion and environment , nor yet the action and event itself in the way that they are so described in the epic . Consequently , in order that the entire art product may receive the full animation of life , we require its complete scenic ...
... tion and environment , nor yet the action and event itself in the way that they are so described in the epic . Consequently , in order that the entire art product may receive the full animation of life , we require its complete scenic ...
Page 813
... tion , which by a succession of representations may be allured from the soul of the hero himself . But it always forms the transition from the introduction to the ascending action , either entering suddenly , like Mortimer's declaration ...
... tion , which by a succession of representations may be allured from the soul of the hero himself . But it always forms the transition from the introduction to the ascending action , either entering suddenly , like Mortimer's declaration ...
Page 932
... tion , and to accomplish their tasks under the general guidance of the Soviet authorities ( specifically , of the People's Commissariat of Educa- tion ) and of the Russian Communist Party , as part of the tasks of the proletarian ...
... tion , and to accomplish their tasks under the general guidance of the Soviet authorities ( specifically , of the People's Commissariat of Educa- tion ) and of the Russian Communist Party , as part of the tasks of the proletarian ...
Contents
The Art of Poetry | 67 |
On the Sublime | 76 |
GIOVANNI BOCCACCIO 103 The Genealogy of the Gentile Gods | 112 |
Copyright | |
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absurd action actors Aeschylus ancient Aristophanes Aristotle artist audience beautiful bourgeois tragedy character Chorus comedy comic contrary Corneille Creon critics delight DIONYSUS drama dramatist effect emotions epic Epic poetry esthetic Euripides excite expression fear feeling fiction French FRIEND give Goethe Greek happy hero honor human Iago idea imagination imitation interest kind language laugh laughter manner means merely mind misfortune modern Molière moral nature never object observed Oedipus Othello pain passion Peripeteia person Philoctetes pity Plato Plautus play pleasure plot poem poet poetical poetry produce reason representation represented ridiculous romantic rules Samuel Taylor Coleridge scene sense sentiments Shakespeare Sophocles sorrow soul speak spectator spirit stage story sublime suffering theatre things thought three unities tion tragedy tragic tragicomedy translated true truth unity verse vice virtue well-made play whole words write