At fessæ multâ referunt se nocte minores, Georgic. IV. 169. With diligence the fragrant work proceeds, The youthful swain, the grave experienced bee- The Cyclopes make a better figure in the following simile: The Thracian leader prest, With eager courage, far before the rest; Him Ajax met, inflam'd with equal rage: Between the wond'ring hosts the chiefs engage; Their weighty weapons round their heads they throw, And swift, and heavy, falls each thund'ring blow. As when in Ætna's caves the giant brood, The one-eyed servants of the Lemnian god, And forge, with weighty strokes, the forked brand Epigoniad, B. 8. Tum Bitian ardentem oculis animisque frementem; Tum sonitu Prochyta alta tremit, durumque cubile Eneid, IX. 703. The gigantic size Raised on the seas, the surges to control, At once come tumbling down the rocky wall- Of the vast pile-the scattered ocean flies, Black sands, discolored froth, and mingled mud arise; Odyssey, XXI. 51. Such a simile upon the simplest of all actions, that of opening a door, is pure burlesque. A writer of delicacy will avoid drawing his comparisons from any image that is nauseous, ugly, or remarkably disagreeable: for, however strong the resemblance may be, more will be lost than gained by such comparison. Therefore I cannot help condemning, though with some reluctance, the following simile, or rather metaphor: O thou fond many! with what loud applause Second Part Henry IV. Act I. Sc. 3. The strongest objection that can lie against a comparison is, that it consists in words only, not in sense. Such false coin, or bastard wit, does extremely well in burlesque; but is far below the dignity of the epic, or of any serious composition: The noble sister of Publicola, The moon of Rome; chaste as the icicle That's curled by the frost from purest snow, Coriolanus, Act V. Sc. 3. There is evidently no resemblance between an icicle and a woman, chaste or unchaste: but chastity is cold in a metaphorical sense, and an icicle is cold in a proper sense: and this verbal resemblance, in the hurry and glow of composing, has been thought a sufficient foundation for the simile. Such phantom similes are mere witticisms, which ought to have no quarter, except where purposely introduced to provoke laughter. Lucian, in his dissertation upon history, talking of a certain author, makes the following comparison, which is verbal merely: This author's descriptions are so cold that they surpass the Caspian snow, and all the ice of the north. Virgil has not escaped this puerility: Galathæa thymo mihi dulcior Hyblæ. Bucol. VII. 37. Galatea, sweeter to me than Hyblean thyme. Ego Sardois videar tibi amarior herbis. I may appear more bitter to thee than Sardian herbs. Ibid. 41. Bucol. X. 37 Gallus, for whom my love increases hourly, as the green alder subjects itself to the new spring. Nor Boileau, the chastest of all writers; and that even in his art of poetry: Ainsi tel autrefois, qu'on vit avec Faret Charbonner de ses vers les murs d'un cabaret, Chant 1. 1. 21. Mais allons voir le Vrai, jusqu'en sa source même. Boileau, Satire XL But for their spirits and souls Second Part Henry IV. Act I. Sc. 1. Queen. The pretty vaulting sea refus'd to drown me; Second Part Henry VI. Act III. Sc. 2. Here there is no manner of resemblance but in the word drown; for there is no real resemblance between being drowned at sea, and dying of grief at land. But perhaps this sort of tinsel wit may have a propriety in it, when used to express an affected, not a real passion, which was the Queen's case. Pope has several similes of the same stamp. I shall transcribe one or two from the Essay on Man, the gravest and most instructive of all his performances: And hence one master passion in the breast, Epist. II. 1. 131. And again, talking of this same ruling or master passion: Nature its mother, habit is its nurse; Wit, spirit, faculties, but make it worse; As heav'n's bless'd beam turns vinegar more sour. Lord Bolingbroke, speaking of historians: Ib. 1. 145. Where their sincerity as to fact is doubtful, we strike out truth by the confrontation of different accounts; as we strike out sparks of fire by the collision of flints and steel. Let us vary the phrase a very little, and there will not remain a shadow of resemblance. Thus, We discover truth by the confrontation of different accounts; as we strike out sparks of fire by the collision of flints and steel. Racine makes Pyrrhus say to Andromaque, Vaincu, chargé de fers, de regrets consumé, And Orestes in the same strain: Que les Scythes sont moins cruel qu' Hermoine. Similes of this kind put one in mind of a ludicrous French song: Again : Je croyois Janneton Aussi douce que belle: Je croyois Janneton Plus douce qu'un mouton; Helas! Helas! Elle est cent fois, mille fois, plus cruelle Que n'est le tigre aux bois. Helas! l'amour m'a pris, A vulgar Irish ballad begins thus: I have as much love in store As there's apples in Portmore. Where the subject is burlesque or ludicrous, such similes are far from being improper. Horace says pleasantly, And Shakspeare, Quanquam tu levior cortice.* In breaking oaths he's stronger than Hercules. L. 3. Ode 9. And this leads me to observe, that beside the foregoing comparisons, which are all serious, there is a species, the end and purpose of which is to excite gayety or mirth. Take the following examples: Falstaff, speaking to his page: I do here walk hefore thee, like a sow that hath overwhelmed all her litter but one. Second Part Henry IV. Act I. Sc. 2. * Although you are of less value than the rind. I think he is not a pick-purse, nor a horse-stealer; but for his verity in love, I do think him as concave as a covered goblet, or a worm-eaten nut. As You Like It, Act III. Sc. 4. This sword a dagger had his page, Description of Hudibras's horse: Hudibras, Canto 1. He was well stay'd, and in his gait And as that beast would kneel and stoop, The sun had long since in the lap Canto I. Canto I. Part II. Canto II. Books, like men their authors, have but one way of coming into the world; but there are ten thousand to go out of it, and return no more. Tale of a Tub. And in this the world may perceive the difference between the integrity of a generous author, and that of a common friend. The latter is observed to adhere close in prosperity; but on the decline of fortune, to drop suddenly off: whereas the generous author, just on the contrary, finds his hero on the dunghill, from thence by gradual steps raises him to a throne, and then immediately withdraws, expecting not so much as thanks for his pains. Ibid. The most accomplish'd way of using books at present is, to serve them as some do lords, learn their titles, and then brag of their acquaintance. Box'd in a chair, the beau impatient sits, Ibid. Description of a City Shower. Swift. Clubs, diamonds, hearts, in wild disorder seen, |