T

PAUSES, EMPHASIS, AND INFLECTIONS OF VOICE, AS ARE SUIT-
ABLE TO EVERY VARIETY OF SENTENCE,

ARE DISTINCTLY POINTED OUT AND EXPLAINED: WITH
DIRECTIONS FOR STRENGTHENING AND MODULATING

EXEMPLIFIED BY

THE VOICE,

SO AS TO RENDER IT VARIED, FORCIBLE, AND HARMONIOUS.
TO WHICH IS ADDED

A COMPLETe system of THE PASSIÓNS ;

SHOWING HOW THEY AFFECT

THE COUNTENANCE, TONE OF VOICE, AND
GESTURE OF THE BODY.

A COPIOUS SELECTION OF THE MOST STRIKING PASSAGES OF

SHAKESPEARE.

1814.

THE WHOLE ILLUSTRATED BY COPPER-PLATES,

EXPLAINING THE NATURE OF

ACCENT, EMPHASIS, INFLECTION, AND CADENCE.

BY JOHN WALKER,

AUTHOR OF THE CRITICAL PRONOUNCING DICTIONARY, %,

"EST QUÔDAM PRODIRE TENUS."-HOR.

(BOSTON:

PUBLISHED BY D. MALLORY & co.

ALSO BY LYMAN, MALLORY & CO. PORTLAND : D. W. FARRAND & GREEN,
WILLIAMS & WHITING, NEWYORK: B. B. HOPKINS & CO.
AND T. B. ZANTZINGER & CO. PHILADELPHIA: P. H. NICKLIN &

ALBANY :

co.

BALTIMORE : I. W. CAMPBELL, PETERSBURG (VIR.):
PATTERSON & HOPKINS, PITTSBURG : AND SWIFT &
CHIPMAN, MIDDLEBURY, (VERMONT.)...1810.

J. T. BUCKINGHAM, PRINTER..

1

ELEMENTS

OF

ELOCUTION.